1 00:00:05,250 --> 00:00:10,000 [Music] 2 00:00:22,000 --> 00:00:30,000 [Music] 3 00:00:30,001 --> 00:00:31,001 Medina and Génaro 4 00:00:31,250 --> 00:00:33,000 [Music] 5 00:00:33,100 --> 00:00:37,000 A co-production of Hally Productions [Music] 6 00:00:37,001 --> 00:00:41,000 A co-production Spanish-French [Music] 7 00:00:41,001 --> 00:00:45,001 With the participation of Radio Spanish Television [Music] 8 00:00:45,075 --> 00:00:49,000 A Pun Radio Television Valencian [Music] 9 00:00:49,001 --> 00:00:52,000 Movistar Plus [Music] 10 00:00:52,225 --> 00:00:56,000 Create SGR [Music] 11 00:00:56,001 --> 00:01:00,000 In association with Phil Factory [Music] 12 00:01:00,001 --> 00:01:04,000 With the financing of Ministry of Culture [Music] 13 00:01:04,001 --> 00:01:08,000 Generalitat Valenciana Institute Valencia of Culture Community of Madrid 14 00:01:08,001 --> 00:01:15,000 and the Institute of Official Credit [Music] 15 00:01:15,001 --> 00:01:21,000 Mario Casas [Music] 16 00:01:21,001 --> 00:01:29,000 Alberto San Juan [Music] 17 00:01:29,001 --> 00:01:35,000 Asiere Cheyandía [Music] 18 00:01:35,001 --> 00:01:42,000 Oscar Lasarte Nora Hernandez [Music] 19 00:01:42,001 --> 00:01:49,000 Elvira Mínguez Eva Ugarte Carmen Balagué [Music] 20 00:01:49,001 --> 00:01:56,000 Martin Paez Carlos Serrano [Music] 21 00:01:56,001 --> 00:02:01,000 Toni Agustín Ferrangadea Eleazar Ortiz [Music] 22 00:02:01,001 --> 00:02:06,000 With the special collaboration by Antonio Resines [Music] 23 00:02:06,001 --> 00:02:09,000 Assistant Director Javier Petit Pérez [Music] 24 00:02:09,001 --> 00:02:14,000 Castil Marichu Sanz Mágita Art Direction Reasons Supervision of Special Effects 25 00:02:14,001 --> 00:02:19,000 Ignacio Miguel Hallucinates Effects Miguel Costa Tempered Direct Sound Sofia Estraface 26 00:02:19,001 --> 00:02:25,000 Sound Editing Miriam Pedregal Mixes Antonín Dalmaso Costumes Elena Sanchís 27 00:02:25,001 --> 00:02:30,000 Makeup Amparo Sánchez Hairdresser Anne Martínez Production Management 28 00:02:30,001 --> 00:02:35,000 Carlos Samoedo Production Manager Eduardo Lis Montaje Vanessa Marin Berth 29 00:02:35,001 --> 00:02:39,000 Original music Ansofi Berth-Nagyen Director of Photography Aitor Manchola 30 00:02:39,001 --> 00:02:45,000 Production Design Collo Vallés Production Executive Laura Castro Otero Ana Camacho 31 00:02:45,001 --> 00:02:50,000 Co-produced by Javier Ugarte Edmond Roche Andrea Marcelli and Alexandra Leveret 32 00:02:50,001 --> 00:02:55,000 Written by Joaquín Oristrel Yolanda García Serrano and Manuel Gómez Pereira 33 00:02:55,001 --> 00:02:59,000 Based on the work of José Luis Alonso de Santos The Gemens Dinner 34 00:02:59,001 --> 00:03:03,000 Produced by Cristóbal García Lina Badenes and Roberto Butragueño 35 00:03:03,001 --> 00:03:09,000 Directed by Manuel Gómez Pereira Dinner On the façade of the Cortes building 36 00:03:09,001 --> 00:03:13,000 two people raise a banner which reads Miva Franco 37 00:03:13,001 --> 00:03:18,000 A motorcycle with a Secar passes in front of the building In the Sedecar a man travels 38 00:03:18,001 --> 00:03:22,000 sleepy with mustache In command of the motorcycle another militiaman with driving glasses 39 00:03:22,001 --> 00:03:25,000 walks the streets of the street and the motorcycle seen in the river and seen in the river 40 00:03:25,001 --> 00:03:29,000 and it is seen in the river and it is seen in the river The biker at the pass headquarters 41 00:03:29,001 --> 00:03:33,000 the motorcyclist from the headquarters of the pass the motorcyclist from the headquarters of the pass 42 00:03:33,001 --> 00:03:37,000 the motorcyclist from the headquarters of the pass the motorcyclist from the headquarters of the pass 43 00:03:37,001 --> 00:03:41,000 the motorcyclist from the headquarters of the pass the motorcyclist from the headquarters of the pass 44 00:03:41,001 --> 00:03:45,000 the motorcyclist from the headquarters of the pass the motorcyclist from the headquarters of the pass 45 00:03:45,001 --> 00:03:49,000 the motorcyclist from the headquarters of the pass the motorcyclist from the headquarters of the pass 46 00:03:49,001 --> 00:03:51,942 the headquarters motorcyclist the motorcyclist passes by 47 00:03:51,943 --> 00:03:55,000 from the headquarters of the pass motorcyclist from the headquarters of the step 48 00:03:55,001 --> 00:04:00,000 They move down another street while the lieutenant continues sleeping 49 00:04:00,001 --> 00:04:09,000 they stop at the entrance of a building. What did it have before? 50 00:04:09,001 --> 00:04:14,000 We're here. The lieutenant wakes up. inside a gray-haired man 51 00:04:14,001 --> 00:04:18,000 destructions to two others who hang a portrait of General Franco More to the right 52 00:04:18,001 --> 00:04:25,000 More, more, more, more, more, stiller a little to the left and there by the way 53 00:04:25,001 --> 00:04:30,000 It's a cip The lieutenant stops in front of the door 54 00:04:30,001 --> 00:04:35,000 on which there is a sign indicating Hotel Palas is dark about 35 years old 55 00:04:35,001 --> 00:04:40,000 played by Mario Casas Miracía up looking at the façade of the building 56 00:04:40,001 --> 00:04:46,567 and he enters determinedly, he places the dish cap while advancing 57 00:04:46,617 --> 00:04:50,000 down the hall the man gray-haired man notices the lieutenant 58 00:04:50,350 --> 00:04:53,318 go down some stairs and what follows is interpreted 59 00:04:53,319 --> 00:04:59,000 by Alberto San Juan lieutenant opens a red curtain 60 00:04:59,025 --> 00:05:04,000 Before him stretches a room with beds occupied by sick people advances through the room 61 00:05:04,001 --> 00:05:13,000 I'm looking for the person in charge of the hotel I'm looking for the hotel manager a nurse approaches 62 00:05:13,001 --> 00:05:17,000 from the hospital, I mean ago time that the blades stopped being an engine 63 00:05:17,001 --> 00:05:23,000 The lieutenant looks her up and down and he continues to move forward the nurse follows him 64 00:05:24,000 --> 00:05:32,000 The lieutenant opens a door which leads to a large room 65 00:05:32,001 --> 00:05:35,000 raise your head and contemplate a huge dome 66 00:05:35,001 --> 00:05:38,000 space is conditioned like an operating room 67 00:05:38,150 --> 00:05:43,000 - The mother who gave birth to me - Excuse me, You can't be here, no visits are skipped 68 00:05:43,001 --> 00:05:44,851 I am not a visitor, I am here by order 69 00:05:44,901 --> 00:05:47,050 direct from the general staff Who is in charge? 70 00:05:47,400 --> 00:05:49,000 In charge of a server 71 00:05:49,001 --> 00:05:52,000 - Generated palazón, meter of palas - Santiago Medina, lieutenant of mayor 72 00:05:52,001 --> 00:05:54,455 - Nice to meet you, sir. - Up, spy - Up 73 00:05:54,456 --> 00:05:58,000 always Santiago and the gray-haired man look at each other 74 00:05:59,075 --> 00:06:01,000 - You will go - We have to organize a dinner 75 00:06:01,425 --> 00:06:06,076 - A dinner where? - Here, tonight - Tonight, for whom? 76 00:06:06,126 --> 00:06:09,000 - For Franco - For Franco - For his generals 77 00:06:09,400 --> 00:06:11,000 at nine o'clock 78 00:06:11,425 --> 00:06:16,000 We have to move all this people to the upper floors 79 00:06:17,000 --> 00:06:20,000 - The kitchen - Please come with me 80 00:06:20,001 --> 00:06:25,000 Santiago follows Genaro between stretchers occupied by patients 81 00:06:25,325 --> 00:06:27,000 They enter the kitchen 82 00:06:27,450 --> 00:06:35,000 - Go ahead, and if Genaro gives me a second flip a switch, the lights flash 83 00:06:35,075 --> 00:06:38,000 Santiago observes the old messy kitchen 84 00:06:38,300 --> 00:06:40,000 - This is not in condition 85 00:06:40,450 --> 00:06:43,000 the leader enters, sees this and he gives us a package 86 00:06:44,050 --> 00:06:47,050 - But the leader is going to enter here - Yes, the leader enters everywhere 87 00:06:47,300 --> 00:06:50,000 He sees everything, he watches everything, because believe we have won the war 88 00:06:50,125 --> 00:06:55,000 Here is the menu - Soup at a quarter of an hour - Yes 89 00:06:55,700 --> 00:06:58,000 - Eggs to the dawn - That's it 90 00:06:58,850 --> 00:07:01,000 - Beef with garnish - Exactly 91 00:07:01,001 --> 00:07:05,000 -And where do I get the ingredients? - That's my thing, your mayor. 92 00:07:05,250 --> 00:07:08,000 I have been taking out for three years loaves of stones, three 93 00:07:08,250 --> 00:07:10,584 - How many do you sell? - For now sixty - What? 94 00:07:10,585 --> 00:07:15,000 - Impossible - Impossible, tell him about me part to Don Francisco - What's happening? 95 00:07:15,001 --> 00:07:16,219 - What do you want to be? accused of rebellion? 96 00:07:16,220 --> 00:07:20,000 - No, no, no, no, no, rebellion It is, it is an order 97 00:07:20,200 --> 00:07:23,000 And orders must be followed 98 00:07:24,350 --> 00:07:30,000 - What do we do with the cooks? - Like what do we do? 99 00:07:30,001 --> 00:07:33,000 - There are no cooks, they are in jail - In jail why? 100 00:07:33,001 --> 00:07:35,000 - Because they are left-wing - Well, call some right-wingers 101 00:07:35,001 --> 00:07:37,000 - Impossible, all the cooks from Madrid are left-wing 102 00:07:37,001 --> 00:07:40,162 - Don't screw me, huh... - Genres? 103 00:07:40,262 --> 00:07:44,000 - That, all - The good ones, yes, like Do not bring any from Burgos or Valladolid 104 00:07:44,001 --> 00:07:47,000 - I will recruit cooks from the barracks, I always have to do everything myself 105 00:07:47,300 --> 00:07:51,000 - And are you going to give them a dinner? ranch to the generals in palas? 106 00:07:51,001 --> 00:07:55,000 - In me, dining room, I prefer that you shoot me 107 00:07:55,001 --> 00:07:59,000 - Don't tell me twice, huh - Generos approaches and Santiago moves away? 108 00:07:59,001 --> 00:08:04,000 - My lieutenant, and you He has so much man, he couldn't, pizza 109 00:08:04,250 --> 00:08:08,000 - Do some type of management to dry them out of jail, for one day, nothing more 110 00:08:08,001 --> 00:08:11,000 - To the reds - They are some excellent cooks 111 00:08:11,250 --> 00:08:15,000 - You are asking me to serve the State Greater a dinner made by communists 112 00:08:15,625 --> 00:08:18,471 - You didn't understand why anyone would find out - The leader always finds out about everything, 113 00:08:18,483 --> 00:08:20,000 everything, could be hidden there right now 114 00:08:20,001 --> 00:08:23,000 - The leader who misses the best dinner possible! 115 00:08:23,001 --> 00:08:25,933 They have prepared banquets for Azanya, for Einstein, for 116 00:08:25,934 --> 00:08:30,000 Argentine Empire Be careful, for your Majesty King, please! 117 00:08:30,750 --> 00:08:34,000 Santiago takes his hands back and turns with his back to Génaro 118 00:08:34,775 --> 00:08:40,000 - To Pelilapiz, eh, to Pelilapiz, take note their names - Come with me please 119 00:08:40,150 --> 00:08:42,000 - The nurse enters while they are talking 120 00:08:42,001 --> 00:08:50,000 - Let's see, for the soup, Anton Aventaño, the essential chef 121 00:08:50,001 --> 00:08:55,186 Fernando Marín for the calf, Blaz Calderón 122 00:08:55,187 --> 00:09:01,000 for the eggs and Epifanio Somoza for desserts 123 00:09:01,001 --> 00:09:06,000 - And Ángel Molinero, missing Ángel Molinero - Who is that? 124 00:09:06,001 --> 00:09:09,000 - The Somme-Liés - The Somme-What? 125 00:09:09,001 --> 00:09:16,000 - The wine manager - Franco doesn't drink - And the generals? 126 00:09:16,100 --> 00:09:18,000 - Where is a telephone? 127 00:09:18,200 --> 00:09:27,000 - In the lobby, sorry, Ángel Molinero - You mark 1 and give him the line, 1 128 00:09:27,001 --> 00:09:33,000 - Santiago is leaving - I I'm playing for you - Thank you 129 00:09:33,001 --> 00:09:36,000 - Your name is the janitor, it's not kitchen - But he's in jail 130 00:09:36,001 --> 00:09:39,000 - I gave Spain is in jail - Génaro, were we going to get married? 131 00:09:39,200 --> 00:09:44,000 - Surely they are not seen and used shortcut - Well, he knows how to make children 132 00:09:44,001 --> 00:09:46,821 - I'm pregnant - The nurse kisses him on the 133 00:09:46,822 --> 00:09:51,000 cheek and leaves - Génaro denies, in an office 134 00:09:51,400 --> 00:09:56,000 - José Luis Alonso speaking Candelas, head of the third of the phalanx 135 00:09:56,001 --> 00:10:00,000 - José Luis Alonso speaking Candelas, head of the third of the phalanx 136 00:10:00,001 --> 00:10:05,000 - At your service, I am in the shovels - I already know that, what's going on? 137 00:10:05,001 --> 00:10:11,000 - Dinner is getting complicated - It's making me kidding - No, no, of course not, sir. 138 00:10:11,001 --> 00:10:14,549 - Listen to me well, yes Franco wants to have dinner at 139 00:10:14,550 --> 00:10:18,000 palas will dine on palas for my holy balls 140 00:10:18,001 --> 00:10:21,000 - There are no cooks, They are in jail - Why? 141 00:10:21,001 --> 00:10:27,688 - For reds - Alonso tuercé the displeased gesture - And 142 00:10:27,689 --> 00:10:32,000 there are no others - With so little time I'm afraid not sir 143 00:10:32,001 --> 00:10:36,000 - Well, they take it out, they cook it and they are returned to jail 144 00:10:36,001 --> 00:10:38,000 as soon as they fall back the cigars, it is clear 145 00:10:38,001 --> 00:10:42,000 - Alonso hangs up and delivers the phone to a subordinate 146 00:10:42,001 --> 00:10:44,723 - These sons of bitches on top of that they are going to finish us off 147 00:10:44,724 --> 00:10:47,000 feeding - Let's go - Where don't you go? 148 00:10:47,001 --> 00:10:50,400 - Algaron walk to the patio - Are you going for a walk? 149 00:10:50,401 --> 00:10:52,000 Paseillo - Are they going to kill us? 150 00:10:52,001 --> 00:10:55,000 - No, there is no feudal you, your exangel - Why? 151 00:10:55,001 --> 00:10:57,000 - Because we have lost war - why? 152 00:10:57,001 --> 00:11:00,000 - Because I already had more vitality and more weapons - No, we were right 153 00:11:00,001 --> 00:11:04,000 - No wonder you don't win wars - Come on, come on, move! 154 00:11:04,125 --> 00:11:09,000 - And they send the public! 155 00:11:09,001 --> 00:11:13,000 Five prisoners walk down the hallway a prison escorted by several guards 156 00:11:13,001 --> 00:11:20,000 They walk outside and pass through a sign that reads Cerro Melero 157 00:11:20,001 --> 00:11:23,347 at the head of the group bald man with extra beard 158 00:11:23,348 --> 00:11:26,000 60 years old is interpreted by Antonio Resines 159 00:11:26,001 --> 00:11:29,000 They leave the premises and walk on a piece of land 160 00:11:29,001 --> 00:11:32,000 In the background several soldiers They wait in front of a wall 161 00:11:32,001 --> 00:11:35,000 - Riputa, these are the sons of the big bitch! 162 00:11:35,001 --> 00:11:36,000 - Cordes! 163 00:11:36,001 --> 00:11:37,000 - Short and hungry! 164 00:11:37,001 --> 00:11:38,000 Disgrace a dog! 165 00:11:38,001 --> 00:11:39,000 Disgrace a dog! 166 00:11:39,001 --> 00:11:40,000 Platoon bastard! 167 00:11:40,001 --> 00:11:41,000 Cirmes! 168 00:11:41,001 --> 00:11:43,000 They load weapons! 169 00:11:43,001 --> 00:11:47,000 Take aim! 170 00:11:48,000 --> 00:11:51,000 The soldiers aim and the prisoners close their eyes 171 00:11:51,500 --> 00:11:55,000 They kneel and crouch 172 00:11:55,400 --> 00:11:59,000 - Are we dead? 173 00:11:59,001 --> 00:12:01,001 - You guys are stupid - Who said fire? 174 00:12:01,050 --> 00:12:03,000 -Who said fire? Who said fire? 175 00:12:03,001 --> 00:12:04,001 Up, let's go! 176 00:12:04,150 --> 00:12:08,000 - This resin from the hallway women here next door - Attention platoon! 177 00:12:08,001 --> 00:12:09,000 Take aim! 178 00:12:09,001 --> 00:12:14,000 Sergeant Almando turns in the distance comes the motorcycle 179 00:12:14,001 --> 00:12:17,000 with sidacar with Lieutenant Santiago Medina on board Look for each other in arms! 180 00:12:17,001 --> 00:12:25,000 Santiago lowers the sidacar - Sergeant? 181 00:12:25,001 --> 00:12:28,000 - Step the deaf in the Lieutenant What's going on? 182 00:12:28,001 --> 00:12:30,000 - Antona Vendaño? 183 00:12:30,001 --> 00:12:33,000 - Me - Fernando Marín? 184 00:12:33,001 --> 00:12:34,001 - Me 185 00:12:34,200 --> 00:12:36,000 - Blas Calderón? 186 00:12:36,001 --> 00:12:37,001 - Me 187 00:12:37,450 --> 00:12:39,000 - Epifanio Somoza? 188 00:12:39,001 --> 00:12:42,000 - Me - Angel Molinero? 189 00:12:42,001 --> 00:12:45,000 - Me - What's wrong? 190 00:12:45,100 --> 00:12:47,000 - They are coming with me - Where with you? 191 00:12:47,001 --> 00:12:49,001 - To Palas - To what? 192 00:12:49,075 --> 00:12:52,000 - To the Palas Hotel - Let's go! 193 00:12:52,375 --> 00:12:57,000 The prisoners follow him - Quiet everyone world, no one takes a step - What's happening? 194 00:12:57,001 --> 00:12:59,000 - With all my respect, my lieutenant, the order? 195 00:12:59,001 --> 00:13:05,000 Santiago approaches the sergeant - The order my stripes, sergeant 196 00:13:05,001 --> 00:13:11,000 My word that tomorrow you will have them turn to finish the job - Okay 197 00:13:11,150 --> 00:13:12,000 - Break ranks! 198 00:13:12,001 --> 00:13:15,000 - And you out of my sight - Walking to the truck - With them? 199 00:13:15,001 --> 00:13:17,000 - Come on, chopper! 200 00:13:17,001 --> 00:13:24,000 A truck stops at the Palas Hotel entrance - Let's go! 201 00:13:24,001 --> 00:13:29,000 A group of soldiers get out of the vehicle 202 00:13:29,001 --> 00:13:33,000 The boss descends from the co-pilot's seat of the third of the phalanx, José Luis Alonso 203 00:13:33,001 --> 00:13:37,000 Wearing blue military uniform and glasses He is dark-skinned, about 40 years old. 204 00:13:37,001 --> 00:13:39,992 Played by Asir Echean Día Alonso walks through the lobby 205 00:13:39,993 --> 00:13:43,000 followed by the platoon stops, takes off his sunglasses 206 00:13:43,001 --> 00:13:52,000 And look at the general's picture Franco on the stairs - Benítez - Tell me 207 00:13:52,001 --> 00:13:53,843 - Find me a room - The biggest one 208 00:13:53,844 --> 00:13:57,000 find - Yes, sir - And may it be near - Lord 209 00:13:57,001 --> 00:13:58,279 Alonso enters the dome hall and 210 00:13:58,280 --> 00:14:04,000 contemplate the improvised operating room - What is that! 211 00:14:04,001 --> 00:14:05,000 - What's that! 212 00:14:05,001 --> 00:14:06,000 - What's that! 213 00:14:06,001 --> 00:14:07,001 - What's that! 214 00:14:07,400 --> 00:14:10,000 - This is a pigsty! 215 00:14:10,200 --> 00:14:14,000 The nurses stop working and look at him 216 00:14:14,001 --> 00:14:18,000 Alonso puts on some glasses and contemplates something on a table 217 00:14:19,050 --> 00:14:22,000 - I want you to retire this scum of my sight 218 00:14:22,950 --> 00:14:25,000 I don't want to see a sick person or a bed After cleaning 219 00:14:25,001 --> 00:14:29,001 I want to see it like the parrot jets that I can eat on the ground - Forgive me 220 00:14:29,100 --> 00:14:32,770 A doctor approaches - Forgive me but the operating room 221 00:14:32,771 --> 00:14:36,000 can't move - Ah, This is an operating room! 222 00:14:36,001 --> 00:14:44,000 - Well, and this is the Spain of the movement We have moved tanks, armies, planes 223 00:14:44,350 --> 00:14:48,000 The doctor looks at him motionless Alonso takes off his cap 224 00:14:48,001 --> 00:14:52,275 - I say I could you move an operating room - 225 00:14:52,276 --> 00:14:56,000 Mr. Up to Spain It generated palazón, meter del palas 226 00:14:56,275 --> 00:14:58,000 In charge of organizing the dinner, one does not 227 00:14:58,001 --> 00:15:02,000 If you accompany me in the kitchen I have a sketch with the distribution of the tables 228 00:15:03,625 --> 00:15:07,000 Alonso looks stern at the doctor and walks towards a door 229 00:15:07,300 --> 00:15:12,000 - Genaro - What do I bring? 230 00:15:12,001 --> 00:15:13,001 - It's outrageous 231 00:15:13,150 --> 00:15:14,000 - It's a war 232 00:15:14,150 --> 00:15:15,000 - Is it over? 233 00:15:15,150 --> 00:15:17,000 - It seems not - Around here? 234 00:15:17,001 --> 00:15:22,000 - Yes - Excuse me, Alonso throws a look at the nurse and follow Genaro 235 00:15:22,650 --> 00:15:26,000 In another part of the hotel - Come on, there's not much to do! 236 00:15:26,001 --> 00:15:27,000 Come on! 237 00:15:27,001 --> 00:15:29,000 The prisoners enter 238 00:15:29,250 --> 00:15:31,000 - What are we doing here? 239 00:15:31,100 --> 00:15:35,000 - For now survive, look - Angel 240 00:15:35,300 --> 00:15:37,000 Antonas, the companions 241 00:15:37,150 --> 00:15:39,000 The prisoners keep walking 242 00:15:39,100 --> 00:15:45,000 The nurse takes Angel to a side of the hallway and hugs him They kiss 243 00:15:45,001 --> 00:15:48,000 - A little more and it won't kill, María - You don't even think about dying, huh? 244 00:15:48,001 --> 00:15:51,000 - That's what he tells the agents - Hey! 245 00:15:51,001 --> 00:15:53,000 You, come to the kitchen 246 00:15:53,001 --> 00:15:55,000 - I love you, María, and although I kill, and I'll still love you, okay? 247 00:15:55,001 --> 00:16:00,000 Angel leaves Santiago looks seriously to María in the kitchen 248 00:16:00,450 --> 00:16:03,000 If it seems correct to you, it would be presidential with the generalissimo 249 00:16:03,001 --> 00:16:05,000 And then one, two, three, four, five, six tables 250 00:16:05,001 --> 00:16:08,200 With six diners each one - Of sir! 251 00:16:08,300 --> 00:16:11,000 I bring you the kitchen team 252 00:16:12,300 --> 00:16:17,000 Alonso stops in front of Santiago and the prisoners and observes them with a harsh gesture 253 00:16:17,300 --> 00:16:21,000 After removing the lenses - What is this, Medina? 254 00:16:21,400 --> 00:16:23,000 Santiago remains motionless 255 00:16:23,300 --> 00:16:28,000 Genaro contemplates the scene restlessly Alonso is behind Santiago 256 00:16:30,050 --> 00:16:40,000 But it does give nasco Move forward a couple of scratching steps It smells like shit 257 00:16:40,001 --> 00:16:46,000 Do you really think I'm going to allow Let this scum cook for us? 258 00:16:46,001 --> 00:16:49,926 - Eh, if I may washes them, de-beweed them, 259 00:16:49,927 --> 00:16:54,000 puts them in their work clothes Work clothes for what? 260 00:16:54,001 --> 00:16:58,000 - What's that for? - Can someone help us? tell the hell what's happening? 261 00:16:58,001 --> 00:17:03,000 - We have to prepare a banquet by the leader - For whom did he say? 262 00:17:03,001 --> 00:17:07,000 - For the leader of the Movement Salvador of Spain - About us 263 00:17:07,001 --> 00:17:13,000 - The best chefs in Madrid Anton takes a step forward 264 00:17:13,001 --> 00:17:20,000 - Are you seriously asking that cook for that shitty nano? 265 00:17:20,001 --> 00:17:23,000 - An unexpected honor - Honor? 266 00:17:23,001 --> 00:17:28,000 Sorry - I'm just a bit harsh. by ear What did he say? 267 00:17:28,001 --> 00:17:30,000 - Nothing, I haven't said absolutely nothing. What do you have on the menu? 268 00:17:30,001 --> 00:17:31,001 - Anton 269 00:17:31,350 --> 00:17:33,459 - I said that I am not doing my stoves to cook 270 00:17:33,460 --> 00:17:37,000 for that son of the great Whore - That's what I said 271 00:17:38,550 --> 00:17:42,000 Alonso smiles and points with his gun to Antón 272 00:17:42,001 --> 00:17:47,000 He shoots him in the forehead and Anton falls to the ground dead 273 00:17:47,001 --> 00:17:50,291 Blood splashes face of Santiago María 274 00:17:50,292 --> 00:17:53,000 Alonso contracts and Génaro observes the corpse 275 00:17:53,001 --> 00:17:56,000 While a pool of blood extends on the hydraulic floor 276 00:17:56,001 --> 00:18:08,000 Nando grabs Blas's arm Behind Epifanio, Ángel and María remain motionless 277 00:18:08,600 --> 00:18:11,251 Ángel turns and crosses a look with Maria containing 278 00:18:11,252 --> 00:18:15,000 Génaro's tears continue still with a rigid face 279 00:18:15,001 --> 00:18:20,000 In front of the Santiago prisoners He remains rigid looking at Alonso 280 00:18:22,050 --> 00:18:27,000 Encourage something more than to object with Regarding dinner - No sir - Good 281 00:18:27,001 --> 00:18:31,000 Alonso glances at Génaro and took a few steps towards Santiago 282 00:18:31,001 --> 00:18:38,286 - I leave it in your hands Medina - Yes Mr. Alonso 283 00:18:38,287 --> 00:18:46,000 leave the kitchen - Now have you heard the patio delousing 284 00:18:46,550 --> 00:18:49,000 - You, accompany them, the two more, come take out 285 00:18:49,400 --> 00:18:51,000 - Until the Lord, daqui 286 00:18:51,050 --> 00:18:56,001 - Maria, hey, help them please, objects you find, uniforms, help them - That 287 00:18:56,350 --> 00:18:59,000 María feels and leaves with the prisoners 288 00:18:59,150 --> 00:19:01,000 Santiago retires to traces of blood from the face 289 00:19:01,001 --> 00:19:03,000 Three soldiers they carry Anton's body 290 00:19:03,001 --> 00:19:06,000 In the bathroom Santiago wash your face in the sink 291 00:19:06,001 --> 00:19:09,000 Look at your reflection in the mirror and dried with a cloth 292 00:19:09,001 --> 00:19:16,000 - It's impossible, eh, you can win a war without a captain general 293 00:19:16,200 --> 00:19:19,000 - No, right, well in the kitchen the chef is the captain general 294 00:19:19,100 --> 00:19:25,000 - He wants to leave me alone, See, I haven't slept for 48 hours 295 00:19:25,001 --> 00:19:30,001 - There's only one way to fix This is called Juana Sanza - A woman 296 00:19:30,450 --> 00:19:35,000 - The sous chef, as good or better that Anton - And where is that woman? 297 00:19:35,001 --> 00:19:37,000 - In the mill Fuencarral - And what are you doing there? 298 00:19:37,001 --> 00:19:40,000 - They have converted the mill in a prison camp 299 00:19:40,400 --> 00:19:42,480 - Now you are going to tell me that They put her there as a red 300 00:19:42,800 --> 00:19:45,240 -She was responsible for cente hospitality union 301 00:19:47,000 --> 00:19:48,000 - An anarchist? 302 00:19:48,001 --> 00:19:51,000 -A syndicalist anarcho, it is a nuance 303 00:19:51,350 --> 00:20:02,000 - Santiago picks up his jacket and his cap and approaches Génaro - I really like him 304 00:20:02,001 --> 00:20:07,000 - Whatever it may be, we are in the same boat 305 00:20:07,001 --> 00:20:13,000 - Either we row together or this sinks - I bring you a comb 306 00:20:16,700 --> 00:20:18,000 - Santiago looks at him frowning and turning away 307 00:20:18,001 --> 00:20:20,774 Génaro sighs, the street two men 308 00:20:20,786 --> 00:20:24,000 they take down a banner which indicates they will not pass 309 00:20:24,001 --> 00:20:26,331 A truck crosses below of it, inside 310 00:20:26,332 --> 00:20:35,000 Santiago and Génaro travel - And was it something like that? 311 00:20:35,001 --> 00:20:41,000 - Is he nice or is he more serious? 312 00:20:41,001 --> 00:20:43,000 - Do you have a conversation? 313 00:20:43,001 --> 00:20:44,000 - Are you kidding me? 314 00:20:44,001 --> 00:20:45,000 - Why me? 315 00:20:45,001 --> 00:20:48,000 - Why can't you talk about Franco like that? 316 00:20:48,001 --> 00:20:51,000 - Well, that's a man like you and like me 317 00:20:51,001 --> 00:20:56,000 - Franco is ten times more man that you - And that you? 318 00:20:56,001 --> 00:21:02,000 - Also - More of a man than you? What seems like a man's excess? 319 00:21:02,001 --> 00:21:05,767 Santiago looks at him out of the corner of his eye, Génaro looks out the window 320 00:21:05,779 --> 00:21:09,000 a queue of people in front a ration station 321 00:21:09,001 --> 00:21:12,000 The vehicle turns in the plaza leaving it behind 322 00:21:14,000 --> 00:21:22,000 - So what is said is nice, nice for that 323 00:21:22,001 --> 00:21:26,000 - Come on, what I know is also a country is not run with sympathy 324 00:21:26,001 --> 00:21:31,000 A country is run with a couple of balls - A couple don't have - How? 325 00:21:31,001 --> 00:21:34,000 - So it seems that in the face from Africa they shot him low 326 00:21:34,001 --> 00:21:38,000 - And I hit that shot I to you - Does Génaro nod? 327 00:21:39,000 --> 00:21:42,000 - I agreed with Franco once - Firale? 328 00:21:42,001 --> 00:21:45,052 - It was a banquet that reborn Zanya - It seemed. 329 00:21:45,053 --> 00:21:54,000 .. magito - He was not with personality - The very dry woman Santiago brakes suddenly 330 00:21:54,001 --> 00:22:03,000 - Look - As if you were talking about Franco I tear out your tongue and eat it - We are 331 00:22:05,000 --> 00:22:08,000 - Genaro nods, Santiago resumes his march 332 00:22:10,000 --> 00:22:18,000 - The truck moves down a street 333 00:22:18,001 --> 00:22:24,496 - A soldier accompanies Santiago and Genaro for an enclosure 334 00:22:24,497 --> 00:22:28,000 closed exterior - With prisoners spread throughout space 335 00:22:34,000 --> 00:22:36,000 The prisoners look at them while they have lunch 336 00:22:37,000 --> 00:22:48,000 They cross a door and proceed through the inside of a bolino - Juana, sal 337 00:22:48,001 --> 00:22:51,000 - My lieutenant, say it let him say, let me be with him 338 00:22:51,001 --> 00:22:57,000 This has a certain character woman, understand - Well 339 00:22:57,001 --> 00:22:59,000 - What rubbish is this? What are you giving us? 340 00:22:59,200 --> 00:23:02,000 - Open me bread, rice, red potatoes, whatever! 341 00:23:02,150 --> 00:23:07,000 - I make the bowl, don't eat that - It's shit, damn, we are people, damn 342 00:23:07,001 --> 00:23:13,713 The woman of about 60 years will continue towards Genaro 343 00:23:13,714 --> 00:23:18,000 They hug - Do you do here? What are they accusing you of? 344 00:23:18,550 --> 00:23:20,000 - No, no one accuses me 345 00:23:20,600 --> 00:23:22,000 - We have come to get you out 346 00:23:23,900 --> 00:23:25,100 - Is that fascist coming with you? 347 00:23:25,900 --> 00:23:30,000 - That man is Lieutenant Medina - They have commissioned to make a banquet tonight 348 00:23:30,001 --> 00:23:33,000 - You have to feed 50 people for dinner - Rango wants to have dinner at Palas 349 00:23:33,001 --> 00:23:37,000 - Juana abruptly moves away - No water or big ass 350 00:23:38,000 --> 00:23:44,000 - You're going to do it Juana - Not even him hartabino - You are going to do it for your son 351 00:23:44,001 --> 00:23:48,001 - Let's see where it is my son - Your son is alive 352 00:23:50,150 --> 00:23:52,000 - Are you lying? 353 00:23:52,550 --> 00:23:54,110 - I just left the hotel right now 354 00:23:55,100 --> 00:23:57,000 - My angel is alive 355 00:23:58,000 --> 00:24:00,000 At the hotel María approaches a guard 356 00:24:00,450 --> 00:24:04,000 - Do I bring shoes and socks? Can I come in? 357 00:24:04,001 --> 00:24:06,000 - There are men nudes - Le mi qué? 358 00:24:06,001 --> 00:24:13,000 - Go into the bathroom - Let's see, there are two from 41 and two from 42 - Isn't it from 43? 359 00:24:13,001 --> 00:24:16,000 - No - María, why do I have to? me now - How are you late? 360 00:24:16,001 --> 00:24:20,017 - Bring me the uniform, acel please Maria take the 361 00:24:20,092 --> 00:24:27,000 angel uniform takes Maria's arm and they move away 362 00:24:29,000 --> 00:24:34,000 - My life - I thought I would never see you again Angel you see it on the lips and neck 363 00:24:34,050 --> 00:24:37,000 - No, no, now No - Why not? 364 00:24:37,001 --> 00:24:39,001 - Because we have little time - Pim, pam! 365 00:24:39,100 --> 00:24:41,000 - Angel, Angel - Can you be the last time? 366 00:24:41,001 --> 00:24:45,000 - Listen to me Angel - You have to escape - Who? 367 00:24:45,001 --> 00:24:48,000 - You and everyone - How? 368 00:24:48,001 --> 00:24:50,805 - Taking advantage of the dinner - It is very guarded 369 00:24:50,806 --> 00:24:53,000 Maria, they are not going to kill - Are they going to kill him or not? 370 00:24:53,001 --> 00:24:55,265 - Maybe they don't forgive - No, no, not those people 371 00:24:55,266 --> 00:24:58,000 sorry darling and have you seen what they have done with Anton 372 00:24:58,850 --> 00:25:01,000 - Poor Anton, he leaves three children 373 00:25:02,050 --> 00:25:06,001 - You would leave one if you don't run away - I have a son - You are going to have him 374 00:25:06,100 --> 00:25:14,000 Angel, I'm pregnant - I'm going to be a father - Can you be? 375 00:25:14,001 --> 00:25:18,123 - We - Hello - I'm going to be a father - Hello - 376 00:25:18,124 --> 00:25:22,000 I'm going to be a father, man - Angel hugs the guard 377 00:25:22,600 --> 00:25:25,000 - Me father too - I have four children, look 378 00:25:25,001 --> 00:25:31,000 - Abdel and it's Ira, Fetima and Mustafa like me - Fuck - Yes, fuck a lot 379 00:25:31,001 --> 00:25:36,000 - Damn it's always that I can The guard steps aside 380 00:25:36,001 --> 00:25:39,000 Angel tightens uniform against the chest and smile 381 00:25:39,001 --> 00:25:48,000 Outside several soldiers escort the prisoners Already dressed as chefs, Santiago arrives 382 00:25:48,001 --> 00:25:52,000 - Chapeiro, chapeiro - Do the metaniants come loose? 383 00:25:52,001 --> 00:25:54,000 - The truth is - It comes to one of the pipos, the metaniantes 384 00:25:54,001 --> 00:25:56,000 - Very good, then quickly all the cooking - Come on, everyone let's download 385 00:25:56,001 --> 00:25:58,000 - And don't let it stay a friend of bread, eh? 386 00:25:58,001 --> 00:26:04,000 - What an outrageous wonder it arrives Angénaro and Juana - Juana, Juana, ay 387 00:26:04,001 --> 00:26:10,000 - Angel hugs Juana - You're not even okay with me 388 00:26:10,225 --> 00:26:15,000 - I'm going to be a father, mother - No It's time to be a father, son 389 00:26:15,001 --> 00:26:18,000 - Many people have died to me, mother will have to replace 390 00:26:18,001 --> 00:26:21,061 - If the child is going to put Stalin - Come on. 391 00:26:21,062 --> 00:26:22,000 .. 392 00:26:22,001 --> 00:26:27,000 - Juana - Well come on, everyone come to work 393 00:26:27,001 --> 00:26:30,000 - This has to work like clockwork - come quickly 394 00:26:30,450 --> 00:26:34,000 - Unload the food - And in seafood? 395 00:26:34,700 --> 00:26:36,000 - What seafood? 396 00:26:36,350 --> 00:26:39,000 - Man, the soup quarter of an hour it takes seafood 397 00:26:39,200 --> 00:26:41,000 - Seafood right now in Madrid? 398 00:26:41,250 --> 00:26:45,000 - Not a lick, my lieutenant - Well, now You'll tell me, it's going to be soup in a minute 399 00:26:45,450 --> 00:26:49,000 - Well, put on something else. - Or it goes to the black market 400 00:26:49,001 --> 00:26:51,000 - In Franco's Spain, no There is a black market - What do you say? 401 00:26:51,001 --> 00:27:02,000 Santiago takes out his gun shoot in the air - Nobody laugh at me 402 00:27:03,000 --> 00:27:07,000 - I have been at war for three years - I am not going to allow no one to laugh at me, it's clear 403 00:27:07,001 --> 00:27:10,192 Angel nods - That Mrs. Un changes 404 00:27:10,193 --> 00:27:15,000 guard grabs Juana arm - What the hell is it? 405 00:27:15,001 --> 00:27:18,000 Juana leaves followed by the guard 406 00:27:19,000 --> 00:27:25,000 This continues downloading the boxes Food Truck Inside - My Lieutenant 407 00:27:25,600 --> 00:27:28,000 Suppose I can get the seafood in an hour 408 00:27:28,200 --> 00:27:30,000 Don't ask me where 409 00:27:30,400 --> 00:27:32,040 And with this, I do this for you 410 00:27:32,575 --> 00:27:35,000 So that you remain like God, my lieutenant 411 00:27:35,100 --> 00:27:43,000 - Let me think. You talk a lot. darling - Don't touch yourself, man - Get out 412 00:27:43,150 --> 00:27:47,041 We must try to make the generals see as much as possible and with this everyone drunk 413 00:27:48,025 --> 00:27:50,000 Moors who watch us, they are not going to drink 414 00:27:50,600 --> 00:27:54,000 - We carve the Moors - The rest of us have knives, or see 415 00:27:54,750 --> 00:27:56,000 - And Franco, Franco doesn't drink 416 00:27:56,200 --> 00:28:01,000 - We carve Franco too We have to kill him - What do you say? 417 00:28:01,001 --> 00:28:04,000 - I'll take care of it, don't worry - I'll take care of you. burdens like a cocoon - Like a materrata 418 00:28:04,001 --> 00:28:06,401 I've done a little bit in the cake and not one will be left alive 419 00:28:06,650 --> 00:28:09,000 -And Génaro, what do we do with Génaro? 420 00:28:09,250 --> 00:28:12,000 - Let him come with his titles also - No, no, no, no, no 421 00:28:12,001 --> 00:28:16,000 Génaro cannot find out about the right - No, it is monarchist, it is not right-wing 422 00:28:17,000 --> 00:28:21,000 - He is a monarchist, right-wing Epifanio grabs a box of food 423 00:28:21,001 --> 00:28:24,000 Inside, Santiago enters in Génaro's office 424 00:28:24,900 --> 00:28:26,752 - Okay, go ahead. with seafood Talk 425 00:28:26,753 --> 00:28:31,001 with your contacts - The only thing - The only thing what? 426 00:28:31,850 --> 00:28:35,000 - Money, money is needed Franco, his pounds, dollars 427 00:28:35,001 --> 00:28:38,000 The black marketers alone they accept foreign currency 428 00:28:38,001 --> 00:28:40,000 - But where do I get I foreign currency? 429 00:28:40,001 --> 00:28:41,000 That's impossible, right? 430 00:28:41,001 --> 00:28:47,000 - So... Génaro shows a key - And that? 431 00:28:47,600 --> 00:28:52,000 - The key to the cave from Alibaba - And? 432 00:28:52,150 --> 00:28:57,000 - I have more than a thousand bottles stored in the cellar - And? 433 00:28:57,125 --> 00:29:00,000 - Open up, Caesar 434 00:29:01,100 --> 00:29:02,100 You don't know the story 435 00:29:03,400 --> 00:29:08,000 It's the same Me dina Lo What am I going to do for you? 436 00:29:08,300 --> 00:29:12,000 I haven't done it before, not even for myself. mother - Génaro, look at an agenda 437 00:29:12,001 --> 00:29:16,000 - Look, a dozen I tempt Rioja - Neither? 438 00:29:16,150 --> 00:29:18,000 But let's see, hawthorn, I'm not asking you to change 439 00:29:18,001 --> 00:29:21,000 I'm asking for some sad ones mussels - Lieutenant or me dina? 440 00:29:21,001 --> 00:29:23,000 - Yes, it's me 441 00:29:23,475 --> 00:29:26,001 At your command, my lieutenant We are the waiters 442 00:29:26,150 --> 00:29:28,176 Have they been informed of the importance of today's dinner? 443 00:29:28,200 --> 00:29:32,000 For us, it is an honor serve the leader - We are all 444 00:29:32,500 --> 00:29:37,001 Of the glorious national movement - Phalanx idiot Look, here's the meat 445 00:29:37,100 --> 00:29:40,493 - Very good. You don't know what means to us See 446 00:29:40,494 --> 00:29:44,000 Franco in person after Lo that we have spent all these years 447 00:29:44,450 --> 00:29:48,000 They have persecuted us, they have insulted us They have tried to kill them for women 448 00:29:48,001 --> 00:29:52,000 - It's okay, Mrs. Go. to the kitchen and wait for me there 449 00:29:52,050 --> 00:29:54,000 - At your command, my Lieutenant Come on! 450 00:29:54,001 --> 00:29:58,001 They leave except for the woman - Sergeant - The lieutenant 451 00:29:58,150 --> 00:29:59,150 - Lieutenant 452 00:29:59,550 --> 00:30:04,000 With such macho men How could we not win the war? 453 00:30:04,675 --> 00:30:06,000 He leaves 454 00:30:06,150 --> 00:30:08,000 - At three thirty 455 00:30:08,150 --> 00:30:09,150 at the hotel 456 00:30:09,700 --> 00:30:11,000 - Gerard 457 00:30:12,000 --> 00:30:16,000 The waiters come to the kitchen and find to the cooks with the preparations 458 00:30:16,325 --> 00:30:21,000 What are you doing here? 459 00:30:22,200 --> 00:30:25,000 And what are these people doing at dinner? 460 00:30:25,250 --> 00:30:28,000 Rabble, here the only riff-raff That yesterday is your daughter of the great whore 461 00:30:28,001 --> 00:30:34,000 You'll see when I tell him Lieutenant Who are you today? 462 00:30:34,001 --> 00:30:35,161 He has taken us out of prison 463 00:30:35,500 --> 00:30:37,000 You gave us away, right? 464 00:30:37,300 --> 00:30:39,000 Are you talking to me? 465 00:30:39,001 --> 00:30:41,126 Yes, did you do it for of the sea and with me, right? 466 00:30:41,150 --> 00:30:44,000 Listen to me Well, I want God with no one and even less with you 467 00:30:44,001 --> 00:30:47,000 You don't want God, but for you It's their fault that they ruined the Basque. Ah! 468 00:30:47,001 --> 00:30:48,000 You will be the waxed Basque, your fucking mother! 469 00:30:48,001 --> 00:30:51,000 Whoa, whoa, whoa, we were few and the donkey gave birth, eh? 470 00:30:51,001 --> 00:30:55,000 The one that was missing. What do they do? these in our kitchen? 471 00:30:55,001 --> 00:30:59,000 The kitchen is no longer in place, ma'am No, Juana, things have changed. 472 00:30:59,001 --> 00:31:04,000 You'll see now with Franco But we what have we done We have done nothing 473 00:31:04,001 --> 00:31:08,000 We thought differently, but We worked together. Why? 474 00:31:08,001 --> 00:31:09,001 Why you? 475 00:31:10,000 --> 00:31:13,022 Mari With your attention no I have nothing but fool 476 00:31:13,023 --> 00:31:16,000 this fool is going you, eh, you're stupid! 477 00:31:16,001 --> 00:31:17,000 Hey, I'll tie you up! 478 00:31:17,001 --> 00:31:19,000 Hey, I'll tie you up! 479 00:31:19,001 --> 00:31:20,000 Oh, mother, I touched it! 480 00:31:20,001 --> 00:31:21,000 Mother touch it! 481 00:31:21,001 --> 00:31:22,000 What are you not going through here? 482 00:31:22,001 --> 00:31:23,000 Hey! 483 00:31:23,001 --> 00:31:24,000 What about you in the cinema? 484 00:31:24,001 --> 00:31:25,000 What is this about? 485 00:31:25,001 --> 00:31:26,000 Hey! 486 00:31:26,001 --> 00:31:27,001 Mother touch it! 487 00:31:27,675 --> 00:31:29,000 Miterante! 488 00:31:29,001 --> 00:31:32,000 I want to work with communists AND We don't want to work with snitches! 489 00:31:32,001 --> 00:31:33,000 Oh, sneak, nothing! 490 00:31:33,001 --> 00:31:35,000 He is a patriot Casteists, those crazy people! 491 00:31:35,001 --> 00:31:36,000 Much honor already! 492 00:31:36,001 --> 00:31:37,000 That's it! 493 00:31:37,001 --> 00:31:38,441 Please, the war is over! 494 00:31:39,000 --> 00:31:42,056 We haven't had enough war for the love of god 495 00:31:42,057 --> 00:31:47,000 Everyone looks to the side All Christ his own, come 496 00:31:47,825 --> 00:31:51,000 Everyone has to work Medina! 497 00:31:51,001 --> 00:31:56,000 The nurses remove the operating room to rushed Alonso shoots from the stairs 498 00:31:56,001 --> 00:32:03,000 At your service But three so full of rats 499 00:32:04,350 --> 00:32:08,000 I hate rats. Look! 500 00:32:10,075 --> 00:32:11,000 Are you there and hey? 501 00:32:11,001 --> 00:32:15,000 Don't you hear them? 502 00:32:15,001 --> 00:32:17,000 Yes sir 503 00:32:18,150 --> 00:32:21,716 Listen to me Franco comes with his wife. The vast majority of 504 00:32:21,717 --> 00:32:26,000 guests too Can't a rat appears at dinner 505 00:32:26,200 --> 00:32:27,000 can't 506 00:32:27,100 --> 00:32:29,000 No, sir, come with me 507 00:32:29,125 --> 00:32:34,000 In a suite Look, what a root And everything is there sleeve by shoulder And on top of that this is Indians 508 00:32:34,001 --> 00:32:39,000 Look, hold this for me, Benítez Benítez holds a table layout mockup 509 00:32:39,001 --> 00:32:41,723 Now everyone wants to sit at the table 510 00:32:41,724 --> 00:32:43,000 Franco Don't be there sit with him, yes or no? 511 00:32:43,001 --> 00:32:46,000 Yes, sir With signatures? 512 00:32:46,001 --> 00:32:50,000 Practically everyone, Mr. Benítez gives you a list It's that laminal ass 513 00:32:50,450 --> 00:32:53,000 But the offices are fine who give up, yes or no? 514 00:32:53,001 --> 00:32:54,001 Yes sir 515 00:32:54,550 --> 00:32:56,026 What do you call that they could the leader there? 516 00:32:56,050 --> 00:32:58,001 Paca la culona, sir Thank you sir 517 00:33:03,000 --> 00:33:11,000 Paca la culona, where does she fuck? 518 00:33:11,001 --> 00:33:17,000 Santiago smiles Alonso Stop laughing and look at him seriously. No. 519 00:33:20,650 --> 00:33:26,001 And what do we do with Jagüe, with Aranda and with Quintelán? 520 00:33:26,750 --> 00:33:28,390 Tell me, what are we with now? 521 00:33:28,600 --> 00:33:31,534 They say that this dinner is nonsense and what 522 00:33:31,634 --> 00:33:34,000 Spain is in the misery Now, don't you mind? 523 00:33:34,001 --> 00:33:37,001 Now it's in the misery that we have to set an example. Example of what? 524 00:33:37,150 --> 00:33:41,000 Example of my balls, example Example that We have won the war. That is the example. 525 00:33:41,001 --> 00:33:44,276 I want the best best, the best Yes 526 00:33:44,277 --> 00:33:47,001 best wine coffee The best cigars 527 00:33:47,175 --> 00:33:54,000 Flowers I want flowers Flowers Yes, and one orchestra I bring you the band, sir 528 00:33:54,001 --> 00:33:57,001 No, no, no, no One orchestra As God commands 529 00:33:57,350 --> 00:34:01,001 Cover me the songs favorites of the leader Señano 530 00:34:01,050 --> 00:34:02,631 Come on, what's wrong, what do I have? I have to do everything myself Well 531 00:34:02,632 --> 00:34:09,000 Let's go Santiago and Benítez They come out Pedina, rat killer! 532 00:34:09,001 --> 00:34:15,000 Alonso takes his gun in the living room waiters set the tables carefully 533 00:34:15,001 --> 00:34:20,001 a little more of entry There It's okay 534 00:34:20,200 --> 00:34:21,200 Perfect 535 00:34:24,000 --> 00:34:27,453 Eh, eh, eh Half a step You go to make me two waiters 536 00:34:27,454 --> 00:34:34,000 they move a table Chey, Chey We look for symmetry, gentlemen 537 00:34:34,100 --> 00:34:40,824 Listen to me, aunt, let's start. It is water from Carmen Cazalla 538 00:34:40,825 --> 00:34:44,000 Come on, remove The Waitress she leaves and the young man looks at her 539 00:34:44,100 --> 00:34:52,000 Santiago goes down the stairs Chapero Chapero smokes a cigar Chapero Mitamiento 540 00:34:52,001 --> 00:34:57,000 You need flowers Flowers Yes, that's what I said Where the hell do you want them to grow flowers? 541 00:34:57,100 --> 00:34:59,000 You go with your people and you pick from the gardens 542 00:34:59,001 --> 00:35:01,000 But we have shared everything my lieutenant 543 00:35:01,250 --> 00:35:05,001 For the ones you pick from the pots, from the balconies Cuscate your life At your service 544 00:35:05,450 --> 00:35:12,001 Gerardo Genaro Yes This smells terrible There is to clean more and better We are on it 545 00:35:12,100 --> 00:35:17,000 Very good. Don't get nervous. male No, male or nothing Male everything 546 00:35:17,001 --> 00:35:21,000 I don't know about you, modest Santiago frown and look away 547 00:35:22,000 --> 00:35:26,000 This has to shine like gold We are Come with me, please 548 00:35:26,250 --> 00:35:30,226 Genaro approaches a switch This smells like a. 549 00:35:30,227 --> 00:35:30,000 .. 550 00:35:30,001 --> 00:35:40,000 Now Attention One The lamps arranged Two lights up around the table 551 00:35:40,001 --> 00:35:51,000 Three There was light Santiago observes fascinated (Music) 552 00:35:51,001 --> 00:36:00,000 Very good This is very good you know where can I get an orchestra? 553 00:36:00,001 --> 00:36:02,000 Genaro nods thoughtfully. 554 00:36:02,600 --> 00:36:05,000 In the pantry María and Ángel eat bread 555 00:36:05,550 --> 00:36:07,110 We're not even going to get to the corner, Mari 556 00:36:07,675 --> 00:36:09,000 Angel, don't give up 557 00:36:09,625 --> 00:36:11,000 She kisses him 558 00:36:12,100 --> 00:36:13,100 Maria 559 00:36:14,650 --> 00:36:16,000 Stay here, don't move 560 00:36:16,200 --> 00:36:19,000 Maria goes out to meet of Genaro and Santiago 561 00:36:19,100 --> 00:36:23,000 Maria Here it is 562 00:36:23,175 --> 00:36:26,000 María Jareño, singer of the Palas orchestra 563 00:36:26,200 --> 00:36:28,000 But she was a nurse 564 00:36:28,150 --> 00:36:30,000 Well, ask sick, sings, it can do two things 565 00:36:30,001 --> 00:36:34,000 At the same time I can do up to three. And the musicians? 566 00:36:34,001 --> 00:36:35,001 Music 567 00:36:35,350 --> 00:36:39,000 We are an orchestra of young ladies. ladies orchestra for the generals 568 00:36:39,150 --> 00:36:42,000 I don't see it. They are very fine the pearls of Pallas 569 00:36:42,450 --> 00:36:45,559 The ladies are going to love And what's more, 570 00:36:45,560 --> 00:36:49,000 there is no other option No A See, can you locate them? 571 00:36:49,001 --> 00:36:54,000 I think so. Please bring it It's better that they have no necklines, very fine 572 00:36:54,001 --> 00:36:59,000 María leaves smiling Oh, I say that music returns to the Palas 573 00:36:59,100 --> 00:37:00,100 what a thrill 574 00:37:01,150 --> 00:37:02,000 Do you like to dance? 575 00:37:02,100 --> 00:37:03,100 Yes 576 00:37:03,975 --> 00:37:10,001 The young waiter approaches Maria in a hallway Maria, wait, what do you want? 577 00:37:10,250 --> 00:37:12,000 You think I am capable of denouncing anyone 578 00:37:13,000 --> 00:37:14,000 I don't know what to think anymore 579 00:37:14,650 --> 00:37:16,000 Maria, I haven't been, huh 580 00:37:16,125 --> 00:37:18,000 Neither my aunt, nor any of the waiters 581 00:37:18,001 --> 00:37:20,000 How were we going to make an objection to colleagues for the love of God? 582 00:37:20,001 --> 00:37:21,001 It wouldn't be going first 583 00:37:21,750 --> 00:37:27,001 Maria, I don't, eh I don't, let it go Already the same No, not the same 584 00:37:27,700 --> 00:37:29,100 Maria, from now on in life 585 00:37:29,700 --> 00:37:31,000 It will be worth it again 586 00:37:31,600 --> 00:37:33,040 I am going to open a category establishment 587 00:37:33,450 --> 00:37:36,001 And you will return to sing What is that? 588 00:37:36,550 --> 00:37:38,000 The milkmaid's tale? 589 00:37:38,001 --> 00:37:41,000 The story of nothing we are yours Together in the right place 590 00:37:41,150 --> 00:37:42,190 Which is where you have to be 591 00:37:44,275 --> 00:37:46,000 I'll do whatever you want and you save Angel 592 00:37:48,850 --> 00:37:51,000 And Angel I can't save him 593 00:37:52,950 --> 00:37:54,030 But I can save you 594 00:37:54,625 --> 00:37:56,000 Maria 595 00:37:57,850 --> 00:38:00,000 I can make you the happiest woman in the world 596 00:38:01,500 --> 00:38:04,000 He pulls her close and they kiss her lips. 597 00:38:08,050 --> 00:38:11,000 They separate, they look at each other in the eyes and she leaves 598 00:38:13,200 --> 00:38:17,001 Look, well, it's time, Máric She looks out of the corner of his eye and continues to move away 599 00:38:17,900 --> 00:38:26,000 Genaro and Santiago enter a room Here The best kept treasure in the palace has it 600 00:38:26,400 --> 00:38:30,000 What I have studied as a canferbero throughout the war 601 00:38:30,200 --> 00:38:37,000 Very good Marico, we are going to get it with two boxes of champagne that I have there 602 00:38:38,000 --> 00:38:42,000 But first, can I approve an authentic work of art? 603 00:38:42,975 --> 00:38:45,000 No, no, I am service No, I don't drink 604 00:38:45,001 --> 00:38:51,000 Go away, no people, he came in fat to the blood If you deserve it, tell me 605 00:38:51,175 --> 00:38:54,000 We both deserve it 606 00:38:54,325 --> 00:38:58,000 Both Yes, what's wrong? 607 00:38:58,750 --> 00:39:02,188 Well it happens that not we are both Axis of doing 608 00:39:02,189 --> 00:39:06,000 as if he were my friend It's not what it's done to me 609 00:39:07,000 --> 00:39:10,000 I'm not your friend of course you are not this my friend 610 00:39:10,001 --> 00:39:13,000 But I get them cooks, seafood, the orchestra 611 00:39:13,350 --> 00:39:15,475 I take out the chestnuts of the fire And you. 612 00:39:15,476 --> 00:39:16,000 .. 613 00:39:16,001 --> 00:39:17,001 Me what? 614 00:39:17,150 --> 00:39:21,000 You don't relax, you are tense Rigid, like a club 615 00:39:21,001 --> 00:39:24,000 I haven't seen you smile only once in the whole day 616 00:39:24,800 --> 00:39:26,000 But why are you going to smile? 617 00:39:26,001 --> 00:39:27,001 for being alive 618 00:39:28,100 --> 00:39:29,100 Does that seem little to you? 619 00:39:29,400 --> 00:39:33,001 Santiago looks at him from above down while sighing please 620 00:39:34,200 --> 00:39:42,000 Genaro pours two glasses of wine and offers one to Santiago For life 621 00:39:42,001 --> 00:39:49,000 Santiago looks towards the door Let's have a drink, take the drink 622 00:39:49,250 --> 00:39:54,000 For life they both drink 623 00:39:54,175 --> 00:39:56,000 Santiago closes his eyes while swallowing 624 00:39:57,225 --> 00:40:04,001 They both sit down, Genaro watches him. and smiles slightly. How are you? 625 00:40:04,100 --> 00:40:11,001 It's amazing. It's great. Italian frame tied 626 00:40:11,350 --> 00:40:16,000 Are you married for a long time, lieutenant? 627 00:40:17,500 --> 00:40:19,000 How do you know I'm married? 628 00:40:19,001 --> 00:40:23,000 The ring. You too? 629 00:40:23,001 --> 00:40:24,001 I am a widower 630 00:40:25,000 --> 00:40:28,000 My partner died in Barcelona It was a bombing 631 00:40:28,150 --> 00:40:31,000 Santiago looks him in the eyes and rest your hand on his 632 00:40:32,000 --> 00:40:44,000 Sorry Sorry Genaro denies slightly You have children And that? 633 00:40:44,001 --> 00:40:49,000 Madrid is full of passageways 634 00:40:49,050 --> 00:40:52,461 That door leads to the church of Jesus in 635 00:40:52,560 --> 00:40:56,000 Medina Celi Listen Here we have saved priests 636 00:40:56,150 --> 00:41:00,000 They are the three acaïtes Santiago stands up 637 00:41:00,001 --> 00:41:06,001 He finishes his glass and goes to the door Lieutenant What? 638 00:41:06,275 --> 00:41:15,000 If everything goes well, you could do something for the cooks Something like what? 639 00:41:15,001 --> 00:41:20,000 Save their lives leader has made it clear 640 00:41:20,001 --> 00:41:23,000 The blood of those who they fell does not allow oblivion 641 00:41:23,001 --> 00:41:24,387 But those who fell They are all from one side and 642 00:41:24,388 --> 00:41:29,000 of the other The other's they don't give a damn 643 00:41:30,000 --> 00:41:35,000 Santiago leaves, Genaro remains mouthful and open In the kitchen, Juana chops an onion 644 00:41:35,001 --> 00:41:38,000 Cut it into julienne and deposits on a tray 645 00:41:38,001 --> 00:41:45,000 Blas takes several eggs and Place in a pot of boiling water 646 00:41:45,001 --> 00:41:50,000 Juana picks some vegetables. She approaches. to the sink and starts washing a leek 647 00:41:50,001 --> 00:41:56,000 Blas adds tacos of butter to a pot Turn your head 648 00:41:56,001 --> 00:42:01,000 And he exchanges a look with the guard who Nando watches them, takes a beef tenderloin 649 00:42:01,001 --> 00:42:04,000 Places it on a table And he spreads salt with his hand 650 00:42:04,001 --> 00:42:13,000 At another table, Epifanio opens a space in a volcano of flour Caska an egg 651 00:42:13,001 --> 00:42:15,200 And drops it in the center of the same In the dining room, 652 00:42:15,201 --> 00:42:19,000 the waiters dress the tables with white tablecloths 653 00:42:25,000 --> 00:42:28,000 A soldier places a flag with the Burgundian cross 654 00:42:28,001 --> 00:42:31,000 Flora's nephew tense another with the phalanx symbol 655 00:42:31,001 --> 00:42:37,000 Flora approaches a Spanish flag He brings her close to his face and closes his eyes. 656 00:42:37,001 --> 00:42:41,000 In the patio, three black marketeers They deliver buckets with seafood to Genaro 657 00:42:41,001 --> 00:42:44,000 He signals to two soldiers carrying buckets 658 00:42:44,001 --> 00:42:47,000 Two others introduce boxes with champagne bottles 659 00:42:47,001 --> 00:42:52,000 In the trunk of the black marketeers. In the suite, Alonso walks looking at the model 660 00:42:52,001 --> 00:42:56,000 Embossed with the provision of the tables wrinkle and destroy 661 00:42:57,000 --> 00:43:05,000 But guys, what a hurry! 662 00:43:05,001 --> 00:43:09,000 Three soldiers enter a church Can you take this and take her there? 663 00:43:09,001 --> 00:43:13,000 An old woman looks at them while They go to the altar Perfect! 664 00:43:13,001 --> 00:43:16,000 How happy the lieutenant is going to be! 665 00:43:16,001 --> 00:43:19,000 Hey you! 666 00:43:19,001 --> 00:43:20,000 The soldier! 667 00:43:20,001 --> 00:43:21,000 What is he doing? 668 00:43:21,001 --> 00:43:24,000 This is the house of God, the flowers are from vincen 669 00:43:24,001 --> 00:43:28,000 They are required for the generalism, father For whom? 670 00:43:28,001 --> 00:43:31,000 For Zanco, up to Spain! 671 00:43:31,001 --> 00:43:32,000 Always up! 672 00:43:32,001 --> 00:43:34,000 Come on guys, hurry up! 673 00:43:34,350 --> 00:43:38,000 You leave the bottles in my office Let no one who understands touch them 674 00:43:38,100 --> 00:43:40,000 Angel, the shortcut, how are you? 675 00:43:40,001 --> 00:43:46,000 Here we go Practice Joana, all in I order The soup smells like it nourishes 676 00:43:46,001 --> 00:43:49,001 And the calf is already in march, look what it looked like 677 00:43:50,000 --> 00:43:57,000 Like butter Blas gestures with his face looking at Génaro 678 00:43:57,001 --> 00:44:11,000 He frowns and He approaches. What happened? 679 00:44:11,375 --> 00:44:13,000 Epifanio on the fence 680 00:44:13,450 --> 00:44:15,948 Génaro goes to Epifanio, which is pouring 681 00:44:15,960 --> 00:44:21,000 rat poison in the Epifanio dessert dough What? 682 00:44:21,050 --> 00:44:27,000 What are you putting in the food? 683 00:44:27,600 --> 00:44:29,000 Ah, Blas is coming 684 00:44:29,450 --> 00:44:38,000 Génaro discreetly struggles Until snatch the poison box. Are you crazy? 685 00:44:38,001 --> 00:44:39,001 I'll take it to Tava 686 00:44:39,500 --> 00:44:42,000 We can still win the war 687 00:44:42,001 --> 00:44:46,746 You can't put any substance toxic to food. Why? 688 00:44:46,747 --> 00:44:48,000 Let's see why? 689 00:44:48,001 --> 00:44:50,558 For three things, because They can make us try it, 690 00:44:50,559 --> 00:44:53,000 mule head I have said Have you told me? 691 00:44:53,001 --> 00:44:55,000 Yes, I told you When did you tell me? 692 00:44:55,001 --> 00:44:56,000 What did he tell me, let's see? 693 00:44:56,001 --> 00:44:58,201 I told you if there was not the escape, it will be taken for granted 694 00:44:58,500 --> 00:45:00,000 What little mouth does he have? 695 00:45:00,001 --> 00:45:04,200 The escape What escape? 696 00:45:04,350 --> 00:45:07,000 We are not going to escape. Who is it? 697 00:45:07,001 --> 00:45:08,001 us 698 00:45:08,850 --> 00:45:11,001 The cooks You also if you want 699 00:45:11,550 --> 00:45:14,000 Génaro, you are from the right, but you are not a bad person 700 00:45:14,001 --> 00:45:15,776 Let's have a little conversation in me 701 00:45:15,825 --> 00:45:19,000 office No, now, Génaro Kitchen equipment please 702 00:45:19,175 --> 00:45:23,001 One minute everyone to my office to clarify a topic I've already had three 703 00:45:23,150 --> 00:45:26,000 I open another one You didn't have to open any of these 704 00:45:26,300 --> 00:45:28,000 Practice with empty bottles, please 705 00:45:28,175 --> 00:45:31,000 Gentlemen 706 00:45:31,350 --> 00:45:35,682 The cooks go to the Génaro office closes 707 00:45:35,683 --> 00:45:44,000 the door stops in front of the cooks 708 00:45:45,750 --> 00:45:47,070 Can you tell what madness this is? 709 00:45:47,200 --> 00:45:53,280 Génaro, we're leaving to escape and you have to 710 00:45:53,281 --> 00:45:58,000 help, Ana Don't tell with me Why do you see? 711 00:45:58,001 --> 00:46:01,000 Because they are going to kill you and They are going to kill, it is nothing new 712 00:46:01,001 --> 00:46:04,001 Either they kill us today, or They kill tomorrow. How tomorrow? 713 00:46:04,100 --> 00:46:09,000 We prefer to die fighting Well, please A little sense, how is he not your son? 714 00:46:09,001 --> 00:46:12,000 It is impossible to escape You haven't heard it, Génaro 715 00:46:12,500 --> 00:46:15,000 If we don't escape, tomorrow they will be shot 716 00:46:15,950 --> 00:46:18,000 Let's leave it out fight the soldiers 717 00:46:18,200 --> 00:46:21,080 We are in a hospital, so it has there must be chloroform in the warehouse 718 00:46:21,350 --> 00:46:26,000 And we will escape through the cellar. From there we leave to the church and to the fucking street to run 719 00:46:26,001 --> 00:46:30,001 Run You can come with us or stay you decide 720 00:46:31,400 --> 00:46:34,150 I don't want to be killed Do what you want, but you need 721 00:46:34,174 --> 00:46:37,000 a key to the cellar Because we are going to escape through the cellar 722 00:46:38,200 --> 00:46:40,000 Genaro nods. 723 00:46:41,000 --> 00:46:46,000 The key stays with me Give it to us By hook or by crook, Génaro 724 00:46:46,350 --> 00:46:50,154 you will have to start Look, come the 725 00:46:50,155 --> 00:46:54,000 astrala pockets What's going on here! 726 00:46:54,001 --> 00:46:56,000 It's over! 727 00:46:59,050 --> 00:47:00,130 Do you know what they wanted to do? 728 00:47:01,075 --> 00:47:08,000 Génaro escapes from the cooks and points his finger at them. What? 729 00:47:09,350 --> 00:47:10,000 That? 730 00:47:10,001 --> 00:47:12,000 What did they want to eat for dinner? 731 00:47:12,050 --> 00:47:14,000 They, because they are hungry 732 00:47:14,700 --> 00:47:17,000 And hunger drives people crazy 733 00:47:17,700 --> 00:47:22,001 We want to eat Yes, yes, We want to eat like now! 734 00:47:22,050 --> 00:47:24,000 Now! 735 00:47:24,001 --> 00:47:27,000 Come on, everyone, get to the stove! 736 00:47:27,001 --> 00:47:29,000 There is no more nonsense! Come on! 737 00:47:29,001 --> 00:47:30,000 Come on! 738 00:47:30,001 --> 00:47:31,000 Come on! 739 00:47:31,001 --> 00:47:33,000 Let's eat! 740 00:47:33,001 --> 00:47:35,000 Or do we eat here, not even God cooks? 741 00:47:35,001 --> 00:47:36,001 What if God doesn't cook? 742 00:47:36,100 --> 00:47:39,000 Let's not take things away crazy Let's go later! 743 00:47:39,001 --> 00:47:40,000 That's it, come on! 744 00:47:40,001 --> 00:47:41,000 Since there is no dinner now! 745 00:47:41,001 --> 00:47:42,000 That! 746 00:47:42,001 --> 00:47:43,000 It came to me! 747 00:47:43,001 --> 00:47:44,000 Be quiet! 748 00:47:44,001 --> 00:47:48,000 Santiago takes out his gun and aims The three soldiers of the Amora Guard 749 00:47:48,001 --> 00:47:53,000 who watch the kitchen do what It's all smooth sailing 750 00:47:53,500 --> 00:48:01,000 Let's ruin it for something stupid He is not essential Look at Ángel 751 00:48:01,001 --> 00:48:04,000 dinner is done without him. And the wine? 752 00:48:04,001 --> 00:48:11,000 You serve the wine, I don't fucking need it. a somer Somerlear That Forward shoot 753 00:48:11,001 --> 00:48:21,000 Juana comes forward Wait for me Wait for me to me too But to me, to me Chapero arrives 754 00:48:21,001 --> 00:48:27,000 We already have flowers my lieutenant I counseled them in the church 755 00:48:27,100 --> 00:48:34,000 Santiago continues aiming Lieutenant Yes The flowers, the park 756 00:48:34,275 --> 00:48:36,000 from Falange I was very happy 757 00:48:37,000 --> 00:48:41,399 (Music) It's coming. 758 00:48:41,400 --> 00:48:41,000 .. 759 00:48:41,001 --> 00:48:45,000 the ladies of music in case you want to tell them something 760 00:48:45,001 --> 00:48:50,000 Santiago lowers the gun and Génaro keeps it, sighs 761 00:48:50,001 --> 00:49:00,000 The lieutenant leaves the kitchen followed by Chapero Génaro approaches the cooks 762 00:49:00,100 --> 00:49:03,000 You are playing with fire 763 00:49:05,000 --> 00:49:06,000 He leaves 764 00:49:06,400 --> 00:49:08,423 The cooks remain motionless in the center of 765 00:49:08,424 --> 00:49:12,000 the Santiago kitchen and Chapero enters the dining room 766 00:49:12,175 --> 00:49:14,000 Maria and six women wait standing 767 00:49:14,275 --> 00:49:18,000 Girls, the lieutenant tells me 768 00:49:18,350 --> 00:49:20,000 Lieutenant, here is the band 769 00:49:20,650 --> 00:49:22,000 Good afternoon, are you all here? 770 00:49:22,001 --> 00:49:28,000 Violin, accordion, double bass, cello, guitar and piano You have to tune it 771 00:49:28,400 --> 00:49:30,040 And they're going to need a place to change 772 00:49:30,500 --> 00:49:31,968 Accompany them upstairs to Chapero Of course, my 773 00:49:31,969 --> 00:49:35,001 Lieutenant, come with me, please miss this way 774 00:49:35,150 --> 00:49:38,001 Thank you very much Here 775 00:49:38,250 --> 00:49:40,000 They leave 776 00:49:40,225 --> 00:49:43,513 Chapero throws a look at Santiago from the 777 00:49:43,563 --> 00:49:49,000 Come Génaro staircase approaches Santiago 778 00:49:49,500 --> 00:49:51,180 You've never shot anyone, right? 779 00:49:51,375 --> 00:49:55,000 Don't be offended, that's embarrassing 780 00:49:55,350 --> 00:49:58,000 It shows that you are good person No, I'm not a good person 781 00:49:58,001 --> 00:50:00,748 You and I are good people, that's why we stay 782 00:50:00,749 --> 00:50:03,000 well, who has Did you say that I like you? 783 00:50:03,001 --> 00:50:06,000 There are things that are not necessary say I'm going to break your face, huh? 784 00:50:06,001 --> 00:50:07,001 You wouldn't be the first 785 00:50:07,550 --> 00:50:14,000 Santiago slaps him. He arrives a woman Santiago Luchi 786 00:50:14,700 --> 00:50:18,000 Hey, let me come in, I am the wife of the officer in charge 787 00:50:18,250 --> 00:50:22,000 Hello, my love, what is it here? 788 00:50:22,001 --> 00:50:25,000 The same as you, I attended to dinner To dinner? 789 00:50:25,001 --> 00:50:27,000 Man, you are the amphetron 790 00:50:27,275 --> 00:50:31,000 The normal thing is that you receive Franco with your wife by your side. Daddy! 791 00:50:31,001 --> 00:50:32,000 What are you doing? 792 00:50:32,001 --> 00:50:33,001 The same is a choto 793 00:50:33,475 --> 00:50:35,000 One that thank goodness I think for both of us, eh? 794 00:50:35,001 --> 00:50:37,000 Look, here you have a dress uniform 795 00:50:37,600 --> 00:50:41,000 Listen to me you never listen, bonboncito Dinner is for the generals 796 00:50:41,001 --> 00:50:44,000 No, my love, dinner is for me and do you know why? 797 00:50:44,001 --> 00:50:48,000 Because I have also lived one war and I deserve it I know, I know 798 00:50:48,001 --> 00:50:49,203 But the places already They are limited, right? 799 00:50:49,204 --> 00:50:50,000 Will this happen to you? 800 00:50:50,001 --> 00:50:52,000 There is a list, I can't tell you like this bravely 801 00:50:52,001 --> 00:50:55,494 Brava is how they get things, Santiago To the 802 00:50:55,544 --> 00:50:59,000 brava is how you ascend like good positions are obtained 803 00:50:59,350 --> 00:51:02,000 And I'm not leaving here without become friends with Carmen Polo 804 00:51:02,050 --> 00:51:05,000 Look, I don't have time for this. Wisdom is above, I guess, right? 805 00:51:05,001 --> 00:51:06,000 Go and wait for me at home! 806 00:51:06,001 --> 00:51:07,001 And talk! 807 00:51:07,550 --> 00:51:11,000 We have never had a chance like This Uchime, you're making a commitment! 808 00:51:11,150 --> 00:51:13,110 Hey, and I want it better for us, huh? 809 00:51:13,175 --> 00:51:20,001 And you should want the same. It's my woman I am your husband And as a husband I am 810 00:51:20,425 --> 00:51:26,000 I demand that you go and take it off. No. I demand Luchis goes upstairs. 811 00:51:26,050 --> 00:51:29,000 Santiago observes Genaro walking to the kitchen 812 00:51:29,001 --> 00:51:32,000 In a room, the women tune their instruments 813 00:51:32,350 --> 00:51:36,001 Girls, we have to rehearse, do me If we don't act, then let's see how it goes. 814 00:51:36,050 --> 00:51:40,000 Hey, will they ask us for topics or Do we play our repertoire? 815 00:51:40,001 --> 00:51:44,001 We're going with our thing. Are we done? as always playing the international? 816 00:51:44,400 --> 00:51:46,000 No, no, no, we touch the face in the sun 817 00:51:46,650 --> 00:51:48,010 And do you think they will make us feel sorry for them? 818 00:51:48,150 --> 00:51:51,001 Of course, ladies Alonso arrives 819 00:51:51,200 --> 00:51:54,000 I will take care of it personally that they do not lack anything 820 00:51:54,250 --> 00:51:59,524 Thank you very much Alonso He stares at Maria and 821 00:51:59,525 --> 00:52:07,000 He approaches Benítez Come on, Girls, what are you waiting for? 822 00:52:07,500 --> 00:52:09,020 Do you run out of the idea of ​​bringing whores? 823 00:52:09,650 --> 00:52:12,000 There are not few of them, ladies, right? 824 00:52:12,001 --> 00:52:15,000 No, they are spells of shovels, a girl band 825 00:52:15,225 --> 00:52:18,000 Well that's it, bitches 826 00:52:18,400 --> 00:52:20,781 The women leave the room carrying 827 00:52:20,782 --> 00:52:25,000 their instruments and pass between Benítez and Alonso 828 00:52:25,375 --> 00:52:32,000 Benítez goes after them María stays behind collecting some sheet music 829 00:52:32,001 --> 00:52:36,023 Alonso approaches she Well, so. 830 00:52:36,024 --> 00:52:37,000 .. 831 00:52:37,675 --> 00:52:39,000 The pearls of the palas 832 00:52:39,125 --> 00:52:45,000 María tries to leave and Alonso cuts her off the passage A moment, a monument 833 00:52:45,300 --> 00:52:49,000 Excuse me, but I have to leave What instrument do you play? 834 00:52:49,001 --> 00:52:52,000 I nothing, I am the vocalist Ah, what do you sing? 835 00:52:52,050 --> 00:52:54,000 Let's see, does he sing? 836 00:52:54,001 --> 00:53:00,000 Now I can't He holds her But if I ask you, you can 837 00:53:00,001 --> 00:53:02,000 Come on, how is that song you were singing? 838 00:53:02,001 --> 00:53:06,001 Manny... I have to rehearse Well, So rehearse for me, I want to listen to you 839 00:53:06,400 --> 00:53:10,000 They are waiting for me I have three years waiting for a bitch like you 840 00:53:10,600 --> 00:53:12,000 hugs her 841 00:53:12,175 --> 00:53:14,000 And if I ask you, what do you sing? 842 00:53:14,250 --> 00:53:16,000 What do you sing? 843 00:53:16,001 --> 00:53:18,000 Lord what? 844 00:53:18,001 --> 00:53:20,000 Would it be better if he didn't come closer? 845 00:53:20,001 --> 00:53:21,000 Because? 846 00:53:21,001 --> 00:53:23,000 I have syphilis Canti! 847 00:53:23,001 --> 00:53:26,001 He pulls away. Go away! 848 00:53:26,050 --> 00:53:31,000 María runs away Alonso washes himself hands and tongue in a basin 849 00:53:31,001 --> 00:53:35,000 In the kitchen, Nando and Juana They are with Ángel. Come on, kid! 850 00:53:35,001 --> 00:53:38,000 Four of everything No, wallets, documentation! 851 00:53:38,001 --> 00:53:39,000 It's not for you, it's not necessary! 852 00:53:39,001 --> 00:53:40,000 And the flora for me! 853 00:53:40,001 --> 00:53:42,000 And you won't sleep on the bus! 854 00:53:42,001 --> 00:53:46,000 Nando opens a duct that communicates with the laundry 855 00:53:46,001 --> 00:53:48,000 Angel enters and slides down the ramp 856 00:53:48,001 --> 00:53:54,000 falling on a mountain of sheets dirty Nando and Juana return to the kitchen 857 00:53:54,001 --> 00:53:55,523 Angel takes a sack of fabric and advances with 858 00:53:55,524 --> 00:53:59,000 caution about laundry looking both ways 859 00:53:59,200 --> 00:54:01,000 Get to the locker room area 860 00:54:01,001 --> 00:54:05,000 and open a closet where hang the waiters' clothes 861 00:54:05,001 --> 00:54:04,897 Take out the documentation and leaves it on a 862 00:54:04,898 --> 00:54:17,000 bank without stopping watch the door [Music] 863 00:54:17,001 --> 00:54:21,000 Down the hall, the nephew of flora walks smoking a cigarette 864 00:54:21,001 --> 00:54:26,200 Enter the locker room, surprise Angel approaches and smiles. Damn! 865 00:54:26,250 --> 00:54:28,000 I thought there were no rats left 866 00:54:28,200 --> 00:54:31,000 Rubio, what were you going to do to me here? 867 00:54:31,850 --> 00:54:34,000 I was looking for tobacco 868 00:54:34,250 --> 00:54:38,000 Tobacco, my balls I don't know If it's red, where the fuck? 869 00:54:38,001 --> 00:54:42,000 I can't die, man, I'm going to be a father. You? 870 00:54:42,001 --> 00:54:44,001 Father Yes 871 00:54:44,800 --> 00:54:46,000 I'm going to have a child from Mari 872 00:54:46,750 --> 00:54:49,794 We are going to call her girl freedom and girl we had thought... No, why not? 873 00:54:51,293 --> 00:54:52,000 Is he a beautiful man? 874 00:54:52,001 --> 00:54:56,000 The Mari is mine No, not the Mari It belongs to no one, the Mari belongs to the Mari 875 00:54:57,925 --> 00:55:01,000 The blonde smiles and turns around trying to hold back 876 00:55:05,000 --> 00:55:08,000 He broke a bottle in the sink leaving the base broken 877 00:55:08,001 --> 00:55:14,000 Ángel approaches and struggles with him approaching the face I am not the Mari 878 00:55:14,001 --> 00:55:16,396 But Mari doesn't love you But I can make him happy But 879 00:55:16,446 --> 00:55:22,000 How happy am I, Angel? kicks him in the crotch 880 00:55:22,001 --> 00:55:25,000 The other kneed him in the the belly and retrieve the bottle 881 00:55:25,001 --> 00:55:28,572 Angel grabs him by the back The blonde gets away 882 00:55:28,573 --> 00:55:32,000 and Angel throws him to the ground crawls back 883 00:55:33,000 --> 00:55:35,000 You already kill, son of a bitch! 884 00:55:35,001 --> 00:55:41,000 The blonde kicks the air, slips on spilled alcohol 885 00:55:41,001 --> 00:55:44,000 and falls to the ground after hitting the back of the head against the sink 886 00:55:44,150 --> 00:55:47,000 Ángel sits up and watches him motionless. 887 00:55:47,200 --> 00:55:55,000 Maria and the girls of the band rehearses in the living room 888 00:55:55,001 --> 00:56:02,000 Genaro blows a kiss to Maria Hello, my girl! 889 00:56:08,000 --> 00:56:16,650 Genaro smiles Takes out of the chale with a pocket watch 890 00:56:16,651 --> 00:56:22,000 the chain attached to a button and notice another loose chain 891 00:56:22,001 --> 00:56:27,248 He turns and looks at flower dancing while 892 00:56:27,249 --> 00:56:32,000 take out a cutlery Oh, cacerita, don't let me tell! 893 00:56:32,001 --> 00:56:36,000 Because later you are going to refer Have you seen the key to the bottle? 894 00:56:36,001 --> 00:56:40,000 I have lost her Have you taken it? 895 00:56:40,001 --> 00:56:42,000 And why would I take it? 896 00:56:42,001 --> 00:56:46,000 Because it wouldn't be the first time. Let's see, that from time to time has done a chupitón 897 00:56:46,001 --> 00:56:49,000 does not mean that be a drunk Flora! 898 00:56:49,001 --> 00:56:53,000 And much less the flora Give me back the key, please 899 00:56:53,001 --> 00:56:55,000 Well, I haven't caught the damn key, damn it! 900 00:56:55,001 --> 00:56:57,000 Don't talk to me like that, okay? 901 00:56:57,001 --> 00:57:04,000 And not for me either, and I denounce pervert Did you think I didn't know? 902 00:57:04,001 --> 00:57:08,037 We all know you are a mom and let a lame pigeon 903 00:57:08,038 --> 00:57:12,000 stops before leaving And be careful, huh? 904 00:57:12,001 --> 00:57:18,571 Because in Franco's Spain there is no place for people like you Floras leaves Ger. 905 00:57:18,572 --> 00:57:22,000 ..Gener...Gener... Where Can I wash my change? 906 00:57:26,000 --> 00:57:28,000 In my room I can use the truth 907 00:57:28,001 --> 00:57:31,142 17 on the first floor and I have soap, floy, towels. 908 00:57:31,143 --> 00:57:32,000 .. 909 00:57:32,001 --> 00:57:42,000 I'm sorry I lost my nerve, no, before Genaro has felt abstracted Well 910 00:57:42,001 --> 00:57:53,000 Santiago leaves Genaro looks at María Maria sways while singing 911 00:57:53,001 --> 00:57:56,000 Genaro walks down a hallway to the cellar door 912 00:57:56,001 --> 00:58:04,000 Find the key in the lock, He picks her up and looks out the window. 913 00:58:04,001 --> 00:58:13,000 Look down the hall Hello Angel comes out from behind the toilet partition 914 00:58:13,450 --> 00:58:17,000 Hello, what are you doing there? 915 00:58:18,350 --> 00:58:22,000 I was looking... There was already a bottle and it slipped 916 00:58:22,100 --> 00:58:25,000 And... What's up Angelito? 917 00:58:25,500 --> 00:58:30,000 I haven't done anything, he killed himself Genaro approaches and grabs him by the vest 918 00:58:30,300 --> 00:58:33,000 Three, one hundred, the blonde 919 00:58:34,000 --> 00:58:45,000 Genaro discovers the blonde's body on a puddle of blood It's so pretty 920 00:58:45,400 --> 00:58:52,000 It has been swept away and stuck a host. Is he dead? 921 00:58:52,001 --> 00:58:55,359 Yes, Genaro takes the hands to face, bends down and 922 00:58:55,360 --> 00:59:02,000 look at the blonde's face What do we do now Angel? 923 00:59:02,600 --> 00:59:04,000 I thought about putting it in the locker 924 00:59:04,750 --> 00:59:06,030 But if you are going to realize 925 00:59:06,200 --> 00:59:10,050 If we give him a drink he will is going to forget Help me Help me 926 00:59:10,450 --> 00:59:13,001 How crazy Angel, how crazy freeze it 927 00:59:14,050 --> 00:59:18,000 Drag on the body What do you know French? 928 00:59:18,175 --> 00:59:20,000 No, French English Italian, why? 929 00:59:20,750 --> 00:59:21,911 If we play them we could be good performers 930 00:59:21,912 --> 00:59:26,000 God I'm not going to play nowhere I am neutral 931 00:59:26,225 --> 00:59:29,126 No, there is no neutral here in male Or you run away with 932 00:59:29,127 --> 00:59:33,000 us or you betray us But you have to choose 933 00:59:33,950 --> 00:59:36,000 Help me, get it 934 00:59:36,250 --> 00:59:39,000 Genaro grabs the body by the legs 935 00:59:39,001 --> 00:59:43,000 In a room Lucci ends to dress behind a screen 936 00:59:43,001 --> 00:59:46,129 He adjusts his clothes and goes out from behind the panel 937 00:59:46,130 --> 00:59:50,000 approaches an oval mirror That reaches his waist 938 00:59:50,275 --> 00:59:54,000 And it is observed carefully. It gives a couple of jumps trying to look whole 939 00:59:54,001 --> 01:00:01,000 And she twists her face in frustration. Directs the view towards the back of the room 940 01:00:01,001 --> 01:00:10,000 And he goes out into an elegant hallway. Advance for him and stops in front of a door 941 01:00:10,001 --> 01:00:13,267 Pulls the doorknob without success open it Resume the step 942 01:00:13,268 --> 01:00:17,000 and a few meters ahead Open two sliding doors 943 01:00:17,001 --> 01:00:21,000 That communicate with a room where Alonso and Benítez are located 944 01:00:21,001 --> 01:00:27,001 Oh, sorry, I thought it was empty Miss Benítez Alonso smiles 945 01:00:27,400 --> 01:00:29,000 And where did this beauty come from? 946 01:00:29,375 --> 01:00:33,000 Are you one of the girls in the orchestra? 947 01:00:33,001 --> 01:00:39,001 No, no, no, no I am the wife of Lieutenant Medina Vaya 948 01:00:39,750 --> 01:00:42,000 I was looking for a full length mirror 949 01:00:44,275 --> 01:00:51,000 I a whole body that is me Go ahead No, no, no, no, I don't want to bother 950 01:00:51,001 --> 01:00:59,000 They don't bother absolutes, help yourself same Thank you Luchy walks to the mirror 951 01:00:59,001 --> 01:01:02,000 And he turns to look at himself behind the golden satin dress 952 01:01:02,001 --> 01:01:05,644 She smooths her hair while Alonso contemplates her 953 01:01:05,645 --> 01:01:09,001 admired Benítez, go for it tobacco You don't smoke, sir 954 01:01:09,300 --> 01:01:13,000 I said go for tobacco Benítez leaves 955 01:01:13,350 --> 01:01:23,000 Alonso approaches Luchy The dress fits you very well 956 01:01:23,850 --> 01:01:26,000 But I think I'd be better off without him. 957 01:01:26,900 --> 01:01:28,180 She touches her flirtatious hair 958 01:01:28,800 --> 01:01:32,001 In his office, Genaro gives the word to Ángel In Front of the Cooks 959 01:01:32,050 --> 01:01:36,000 He is going to escape with us Really? 960 01:01:36,001 --> 01:01:39,000 For other eggs, Genaro Where are you from? 961 01:01:39,001 --> 01:01:40,001 It's the best 962 01:01:40,150 --> 01:01:45,000 It's crazy, but not impossible. to work as a team, organize well 963 01:01:45,001 --> 01:01:47,000 We have to function just like in the kitchen 964 01:01:47,001 --> 01:01:50,000 And you have to choose the ideal time to escape 965 01:01:50,001 --> 01:01:53,000 And my opinion this is going to be when we take out the cake 966 01:01:53,200 --> 01:01:56,000 We return to Matarratas Leave the Rat Killer 967 01:01:56,225 --> 01:02:02,000 Angel, make sure that generals drink as much as possible 968 01:02:02,150 --> 01:02:06,000 Ok but Franco doesn't drink 969 01:02:06,850 --> 01:02:08,090 If there is a toast you will have to drink 970 01:02:08,300 --> 01:02:12,000 It's true, it won't be so if that How much The more toasts the better, I'll take care of it 971 01:02:12,001 --> 01:02:16,294 When we take out the cake, María will sing Little Soldier 972 01:02:16,295 --> 01:02:21,000 Spanish Que, Oñique, that one It will be the signal to escape 973 01:02:21,001 --> 01:02:25,000 Then we launched into the ramp and we end up in the basement 974 01:02:25,001 --> 01:02:28,189 But first you have to drug the soldiers I'm in charge 975 01:02:28,190 --> 01:02:31,000 of the clairform And now, gentlemen, you adapt the sultaria 976 01:02:32,000 --> 01:02:37,000 The cooks leave the office Genaro sits at his desk 977 01:02:37,001 --> 01:02:43,000 Juana addresses him. Can I ask? why have you changed your mind 978 01:02:44,250 --> 01:02:45,000 No 979 01:02:45,250 --> 01:02:51,000 Juana leaves 980 01:02:52,850 --> 01:02:56,000 Angel enters again and closes the door 981 01:02:57,225 --> 01:03:01,000 Genaro, don't do it nothing The door! 982 01:03:01,450 --> 01:03:05,000 Genaro, what a song 983 01:03:05,650 --> 01:03:10,000 Spanish Soldier 984 01:03:10,200 --> 01:03:16,000 Little Spanish Soldier Dressed tailcoat, Genaro climbs some stairs 985 01:03:16,001 --> 01:03:19,000 With various clothes clothes folded in his hands 986 01:03:19,200 --> 01:03:25,000 He stops in front of the room number 27 And he is preparing to call 987 01:03:25,475 --> 01:03:27,000 Upon discovering the door ajar 988 01:03:27,275 --> 01:03:29,000 He pushes her gently 989 01:03:32,225 --> 01:03:36,000 Enter the room at gloom and close the door 990 01:03:36,001 --> 01:03:39,000 Take a few steps and stops looking into the background 991 01:03:39,175 --> 01:03:42,151 In the bathroom Santiago sleeps inside the Genaro bathtub 992 01:03:42,152 --> 01:03:46,000 stays still watching him With a sustained gaze 993 01:03:46,300 --> 01:03:52,000 He approaches the bed And leave the clothes on her 994 01:03:53,900 --> 01:03:57,000 He leans on the foot of the bed And look away to the side 995 01:03:57,300 --> 01:04:07,000 Santiago continues sleeping Genaro approaches at the bathroom door without even peeking out 996 01:04:07,001 --> 01:04:16,000 Lieutenant they are going to give the seven Santiago does not react 997 01:04:17,350 --> 01:04:19,301 Genaro enters slowly and stops next to the bathtub 998 01:04:19,325 --> 01:04:22,000 Observe the lieutenant some seconds and look away 999 01:04:24,700 --> 01:04:27,000 Take a breath 1000 01:04:27,350 --> 01:04:31,000 Pick up a joint from an ashtray next to the bathtub and takes a drag 1001 01:04:32,750 --> 01:04:39,000 -Side that hits the tap 1002 01:04:40,350 --> 01:04:42,000 Have you ever tried it? 1003 01:04:42,001 --> 01:04:44,000 -No, I haven't tried it. 1004 01:04:44,550 --> 01:04:46,000 -No, I haven't tried it. 1005 01:04:47,050 --> 01:04:48,050 -No, I haven't tried it. 1006 01:04:49,050 --> 01:04:53,000 -I have practically tried of everything in life -In my lieutenant 1007 01:04:53,975 --> 01:04:59,000 -The first time I I feel comfortable in three years 1008 01:05:00,350 --> 01:05:03,000 Genaro returns the joint and Santiago smokes 1009 01:05:03,250 --> 01:05:11,618 Look at the meter that keeps the stare straight ahead -knows on the 18th. 1010 01:05:12,168 --> 01:05:12,000 .. 1011 01:05:13,450 --> 01:05:16,001 When was July 1012 01:05:16,200 --> 01:05:19,000 From 1936 I was going to leave 1013 01:05:19,200 --> 01:05:22,000 The army and ride my own photography studio 1014 01:05:22,600 --> 01:05:26,000 You know weddings, gotizos, communions 1015 01:05:27,350 --> 01:05:29,000 I had the word of a local 1016 01:05:29,550 --> 01:05:32,000 They had granted me a loan and everything 1017 01:05:33,100 --> 01:05:37,000 It's the host 1018 01:05:37,400 --> 01:05:43,000 I had forgotten about hot water Santiago blows soap foam at him in one breath 1019 01:05:43,001 --> 01:05:54,000 And water from the bathtub is splashed -It would be nice to live like this always -Very rich 1020 01:05:54,975 --> 01:06:01,000 -He hands me the towel -Yes, of course Genaro gives him the towel turning the head to the side 1021 01:06:01,550 --> 01:06:07,000 Santiago comes out naked bathtub and ties the towel around his waist 1022 01:06:07,001 --> 01:06:11,000 -They say that in Spain Franco we would all be rich 1023 01:06:11,001 --> 01:06:14,000 Genaro sits on the bed while Santiago goes to the bathroom 1024 01:06:14,001 --> 01:06:22,000 -I know the rich well. They wouldn't know how to live. in a world without poor people -If everything goes well 1025 01:06:22,850 --> 01:06:25,000 I'm going to ask for a destination in the paternal barracks 1026 01:06:25,750 --> 01:06:27,000 -I'm sure the place is still there. 1027 01:06:28,350 --> 01:06:32,000 -Luchi does not continue from Madrid but I follow me... -What if it goes wrong? 1028 01:06:32,001 --> 01:06:35,000 -Why are you going out? Badly everything is ready, right? 1029 01:06:35,650 --> 01:06:41,000 -Yes, of course, but I don't know if anything would happen... -Something like what? 1030 01:06:43,900 --> 01:06:46,000 -That the soup came out salty for example 1031 01:06:46,001 --> 01:06:51,000 Or the beef turns out to be chewy if something went wrong, what would happen? 1032 01:06:52,025 --> 01:06:58,720 -Well... They would blame me I guess I'd go to hell. But. 1033 01:06:58,721 --> 01:06:59,001 .. 1034 01:07:00,200 --> 01:07:01,200 listen to me 1035 01:07:02,050 --> 01:07:07,000 that everything is going to work out of the host And in part 1036 01:07:07,800 --> 01:07:10,000 It will be thanks to you 1037 01:07:10,750 --> 01:07:13,000 -Male 1038 01:07:13,150 --> 01:07:14,150 -Male 1039 01:07:14,275 --> 01:07:19,000 Santiago hugs him. The toa is already falling to the ground. ground and Gennaro remains paralyzed 1040 01:07:19,150 --> 01:07:21,000 in the dining room 1041 01:07:21,150 --> 01:07:26,000 -Ladies and gentlemen Now a tempie for everyone 1042 01:07:26,150 --> 01:07:30,000 The waiters and the girls the band approaches a table 1043 01:07:33,100 --> 01:07:38,000 Flora approaches Ángel, who deboil a glass of wine to the top 1044 01:07:38,250 --> 01:07:42,000 -Good guy's pilot 1045 01:07:42,950 --> 01:07:45,000 You're not going to despise me 1046 01:07:45,250 --> 01:07:50,000 Flora takes the cup and drinks 1047 01:07:52,550 --> 01:07:56,000 -Do you know where my nephew is? 1048 01:07:56,150 --> 01:08:00,000 I'm going out to the street To the street to what? 1049 01:08:00,001 --> 01:08:05,000 I think to buy tobacco. And why are you so happy? 1050 01:08:05,100 --> 01:08:07,000 Because I'm going to be a father, Flora 1051 01:08:07,100 --> 01:08:12,066 Ángel turns away and goes towards where is María -Maya -You are going to. 1052 01:08:12,067 --> 01:08:12,001 .. 1053 01:08:12,050 --> 01:08:17,513 I can't escape leaving you alone with the child 1054 01:08:17,514 --> 01:08:22,000 Angel you have to do it If you change the generals 1055 01:08:22,001 --> 01:08:24,000 Imagine that I made you fault of the escape and I couldn't return 1056 01:08:24,001 --> 01:08:29,001 Listen to me, you have to get there to Endalla whatever -Endalla -Yes 1057 01:08:29,600 --> 01:08:32,001 -That's very far away from Madrid in France 1058 01:08:32,600 --> 01:08:34,051 My uncles, Manuela and Jean Pierre, live there. 1059 01:08:34,075 --> 01:08:38,000 And they have a look called "I know, fool" Will you remember everything? 1060 01:08:38,750 --> 01:08:41,000 -I'm not very good at the names, you already know 1061 01:08:41,001 --> 01:08:43,761 Maria picks up a pen from a trill and writes in 1062 01:08:43,762 --> 01:08:48,000 the hand of Ángel Flora watches them from afar 1063 01:08:48,750 --> 01:08:51,000 -I know, fool 1064 01:08:51,450 --> 01:08:54,000 Chez, fool 1065 01:08:54,650 --> 01:08:57,000 Manuela 1066 01:08:58,750 --> 01:09:01,000 And Jean Pierre 1067 01:09:02,050 --> 01:09:04,090 I will meet you there as soon as I can, okay 1068 01:09:04,200 --> 01:09:07,000 A man enters and whispers to Chapero 1069 01:09:07,200 --> 01:09:10,000 -I won the lottery with you 1070 01:09:10,001 --> 01:09:15,000 -They catch everything, they catch everything, the whole world is a port now 1071 01:09:15,300 --> 01:09:21,000 Santiago, Génaro and Chapero arrive at the band girls room 1072 01:09:21,001 --> 01:09:26,000 -Miss, go down please, the bull catches us Maria 1073 01:09:26,001 --> 01:09:29,000 Maria wears a dress red -You are divine 1074 01:09:29,001 --> 01:09:32,000 When I take out the cake, sing little spanish soldier 1075 01:09:32,001 --> 01:09:36,000 What is the favorite song of the leader -How do you know? 1076 01:09:36,001 --> 01:09:41,000 -And that is very harsh, Maria, run. Maria picks up something from the room 1077 01:09:41,001 --> 01:09:43,674 Génaro plays Magician to say something to Chapero 1078 01:09:43,675 --> 01:09:47,000 But he gives up and leaves Maria leaves in another direction 1079 01:09:47,001 --> 01:09:52,000 In a hallway, Santiago arrives before the Alonso's room and makes a signal to Benítez 1080 01:09:52,001 --> 01:09:56,000 -At your service, my lieutenant - Mr. Alonso? 1081 01:09:56,001 --> 01:10:01,000 -It is not possible -Yes it is possible -It is busy -I don't care how this is 1082 01:10:01,001 --> 01:10:09,000 Santiago knocks on the door time Benítez leaves -Suspermiso 1083 01:10:09,001 --> 01:10:17,000 Lieutenant Medina with news, sir -Mr. Santiago looks at his watch 1084 01:10:17,001 --> 01:10:20,000 Alonso opens the doors, dressed in an undershirt 1085 01:10:20,200 --> 01:10:22,000 -What the hell is happening? 1086 01:10:22,001 --> 01:10:23,001 -Franco, it's coming 1087 01:10:23,700 --> 01:10:26,001 -That is impossible, it is not the time -It's still on its way, sir. 1088 01:10:28,075 --> 01:10:29,075 -Galician muto 1089 01:10:29,350 --> 01:10:31,000 Always the same damn 1090 01:10:31,300 --> 01:10:33,000 Alonso walks away towards the bedroom 1091 01:10:33,400 --> 01:10:37,000 -If he doesn't do anything for the hell, he won't be happy. 1092 01:10:37,625 --> 01:10:40,055 Santiago enters slowly, while contemplating 1093 01:10:40,056 --> 01:10:43,000 on a chair Luchi satin dress 1094 01:10:43,725 --> 01:10:47,000 -He will be bored at home do nothing -And that dress? 1095 01:10:47,001 --> 01:10:49,000 -What dress? 1096 01:10:49,625 --> 01:10:51,000 -That dress she's wearing there? 1097 01:10:51,001 --> 01:10:52,001 -I don't see any dress 1098 01:10:53,000 --> 01:10:55,000 -That dress is Luchi -Who is Luchi? 1099 01:10:55,001 --> 01:10:57,000 -My wife 1100 01:10:58,050 --> 01:10:59,130 -And what is your wife doing here? 1101 01:11:00,000 --> 01:11:01,000 -That's what I say 1102 01:11:01,750 --> 01:11:03,000 -Is this a dinner? generals, are you general? 1103 01:11:03,001 --> 01:11:05,000 -No, of course not. 1104 01:11:05,350 --> 01:11:07,000 -So you're not invited to dinner? 1105 01:11:07,575 --> 01:11:10,000 -No, sir -And neither does your wife? 1106 01:11:10,001 --> 01:11:12,000 -I'll see the dress -What? bitch hit her with the dress? 1107 01:11:12,001 --> 01:11:14,000 Well, take the dress and put the effort into the desire 1108 01:11:14,001 --> 01:11:18,000 But come on, Franco is about to arrive, or has he not found out - Yes, sir 1109 01:11:19,000 --> 01:11:22,000 - Come Santiago, stay motionless looking at the bedroom 1110 01:11:22,150 --> 01:11:23,150 -Luchi 1111 01:11:24,050 --> 01:11:28,001 -Medina -Luchi 1112 01:11:28,850 --> 01:11:32,000 -Medina gave him some savings -Luchi 1113 01:11:32,300 --> 01:11:42,000 -Look, Alonso takes his gun -A me -I don't care about rats or reds 1114 01:11:42,001 --> 01:11:49,000 -That officers who are not at the Height Points at his face - Do you understand? 1115 01:11:49,150 --> 01:11:51,604 Santiago looks at him intently. while squeezing the 1116 01:11:51,679 --> 01:11:55,000 lips and puffs cheeks repressing their fury 1117 01:11:55,001 --> 01:12:00,001 Shortly, he walks down the hallway where There are Genaro, Benita and Cichapero -Luchi 1118 01:12:00,500 --> 01:12:05,000 Take out your gun while looking ahead 1119 01:12:05,350 --> 01:12:07,000 -Lieutenant, lieutenant! 1120 01:12:07,001 --> 01:12:08,000 -Lieutenant, lieutenant! 1121 01:12:08,001 --> 01:12:09,000 -Lieutenant! 1122 01:12:09,001 --> 01:12:10,000 -It's big! 1123 01:12:10,001 --> 01:12:11,000 -Young guy! 1124 01:12:11,001 --> 01:12:12,076 -Let me burn it to be! 1125 01:12:12,100 --> 01:12:13,000 -Paternal! 1126 01:12:13,001 --> 01:12:16,000 -The photographic studio thinks in your children -I don't have children! 1127 01:12:16,001 --> 01:12:17,000 -But you're going to have them! 1128 01:12:17,001 --> 01:12:18,000 -This guy is fucking my wife! 1129 01:12:18,001 --> 01:12:19,000 -No! 1130 01:12:19,001 --> 01:12:20,000 -No! 1131 01:12:20,001 --> 01:12:21,000 -No! 1132 01:12:21,001 --> 01:12:22,001 -No! 1133 01:12:22,050 --> 01:12:23,000 -No! 1134 01:12:23,001 --> 01:12:24,000 -No! 1135 01:12:24,001 --> 01:12:25,000 -No! 1136 01:12:25,001 --> 01:12:26,000 -No! 1137 01:12:26,001 --> 01:12:27,000 -No! 1138 01:12:27,001 --> 01:12:28,000 -No! 1139 01:12:28,001 --> 01:12:29,000 -Aid! 1140 01:12:29,001 --> 01:12:30,000 -Aid! 1141 01:12:30,001 --> 01:12:33,000 Genaro enters the kitchen with Santiago 1142 01:12:33,325 --> 01:12:35,000 -It's going to hold, lieutenant! 1143 01:12:35,125 --> 01:12:39,000 -It's going to hold! 1144 01:12:39,001 --> 01:12:40,001 -Gentlemen, how are you! 1145 01:12:40,050 --> 01:12:42,000 -How are you, Fana! 1146 01:12:42,001 --> 01:12:43,000 -It's going to soup! 1147 01:12:43,001 --> 01:12:44,001 -Do you want to try it? 1148 01:12:44,600 --> 01:12:46,000 -The lieutenant is going to test it! 1149 01:12:46,001 --> 01:12:47,000 -Getting a bowl of soup! 1150 01:12:47,001 --> 01:12:48,000 -No! 1151 01:12:48,001 --> 01:12:49,000 -Marching! 1152 01:12:49,001 --> 01:12:53,000 -No, it's not necessary -It does missing, lieutenant, missing 1153 01:12:53,100 --> 01:12:57,000 -This needs to be taken into account. break -Please make my case 1154 01:12:57,325 --> 01:12:59,000 -Don't do this to me now, please! 1155 01:12:59,075 --> 01:13:02,145 -You feel, if I ago -It's not me. 1156 01:13:02,245 --> 01:13:02,000 .. 1157 01:13:02,001 --> 01:13:10,000 -Please -Some cutlery for the lieutenant -If I'm not here now... -Make my case 1158 01:13:10,001 --> 01:13:13,000 -The man wears all the holy day without trying a bite 1159 01:13:13,001 --> 01:13:17,000 -Please, blast, some eggs - Marching! 1160 01:13:17,001 --> 01:13:19,681 -Angel, wine -Please, I'm going - Don't miss out 1161 01:13:19,682 --> 01:13:23,000 nothing -Nando, could you be a portion of beef? 1162 01:13:23,001 --> 01:13:28,001 -I'll see, with the potatoes -I'm going to see -Go, go, go, go -Go 1163 01:13:28,400 --> 01:13:34,001 -Come, rest -Angel pours wine -Go away 1164 01:13:34,650 --> 01:13:39,164 -Angel moves away -Santiago look at the dishes on 1165 01:13:39,165 --> 01:13:45,000 the table -Sorrows buy They are less, my lieutenant 1166 01:13:46,000 --> 01:13:52,000 The cooks watch Santiago He takes a spoon and tastes the soup. 1167 01:13:52,250 --> 01:14:02,000 Genaro remains standing behind him Santiago tastes the soup 1168 01:14:02,001 --> 01:14:05,000 Cook the knife and the fork and try the eggs 1169 01:14:13,000 --> 01:14:18,000 Genaro watches him expectantly from his I seat, Santiago turns his gaze again 1170 01:14:18,001 --> 01:14:23,000 towards the cooks while swallowing Corta a piece of meat and puts it in his mouth 1171 01:14:25,025 --> 01:14:32,000 Mastica looking towards the front and leans back in the chair 1172 01:14:32,400 --> 01:14:37,000 Look at the wine glass 1173 01:14:37,350 --> 01:14:42,000 He looks at Genaro withdrawn and takes a drink. uncomfortable under the attention of others 1174 01:14:42,001 --> 01:14:50,000 More or less Leave the drink, finish swallowing 1175 01:14:50,075 --> 01:14:52,704 and looks back at the cooks I want. 1176 01:14:57,029 --> 01:14:58,000 .. 1177 01:14:59,250 --> 01:15:03,000 congratulate you for what have already done here today 1178 01:15:03,800 --> 01:15:10,608 Very few people would have been able to do something like that under these conditions But. 1179 01:15:11,308 --> 01:15:12,000 .. 1180 01:15:12,001 --> 01:15:18,000 This is much more than I I ask them, Santiago stands up. 1181 01:15:18,050 --> 01:15:24,000 This is top notch, very first Genaro smiles 1182 01:15:24,001 --> 01:15:29,000 they can be very proud of the work that Bravo has done 1183 01:15:29,001 --> 01:15:38,000 Santiago congratulates Genaro Bravo Very good 1184 01:15:39,000 --> 01:15:45,000 Good job Chapero Enter applauding Very good 1185 01:15:45,450 --> 01:15:51,000 Franco, my lieutenant Franco, Come on Franco is arriving now 1186 01:15:51,001 --> 01:15:59,000 Santiago, Chapero and Genaro leave the kitchen Attention, the leader is arriving 1187 01:15:59,150 --> 01:16:01,000 Maria 1188 01:16:01,750 --> 01:16:08,000 Everything clear Yes, of course Ladies, with energy, as you know 1189 01:16:08,100 --> 01:16:10,000 They are fantastic 1190 01:16:10,975 --> 01:16:14,000 Thank you very much Santiago discover on a table a card with the name 1191 01:16:14,001 --> 01:16:19,000 by Luchy de Medina takes it in her hand and wrinkles it with an angry gesture 1192 01:16:19,575 --> 01:16:25,000 Luchy enters and stops in front Genaro contemplates the scene 1193 01:16:25,001 --> 01:16:31,000 Santiago grabs his wife arm and takes her aside. What are you doing? 1194 01:16:31,001 --> 01:16:36,041 I don't want to see you anymore No I want to see you more Luchy, 1195 01:16:36,042 --> 01:16:41,000 come here come here, for please So, where is it? 1196 01:16:41,001 --> 01:16:47,000 Excuse me They leave the room Come out there I know you don't believe me 1197 01:16:47,001 --> 01:16:53,000 But what I have done I have done for you the two that without me you are nobody Santiago 1198 01:16:53,001 --> 01:16:57,000 Santiago takes off the ring from his finger and leaves it on the reception desk 1199 01:16:57,450 --> 01:16:59,000 Go away now 1200 01:16:59,550 --> 01:17:00,936 Look, I would sleep with the same devil for 1201 01:17:00,937 --> 01:17:04,000 get out of this misery change, what are you doing? 1202 01:17:04,001 --> 01:17:05,001 nothing 1203 01:17:05,700 --> 01:17:12,000 Go away, please, Medina. Come, no. A crowd gathers at the door 1204 01:17:12,001 --> 01:17:19,000 Luchy picks up the alliance and goes towards the exit A car escorted by two motorcycles 1205 01:17:19,001 --> 01:17:23,000 stops at the entrance of the Luchy hotel you look at Santiago 1206 01:17:23,001 --> 01:17:28,000 and walks to the door The wife of Franco smiles from inside the car 1207 01:17:28,001 --> 01:17:33,156 and General Franco comes out from the vehicle Say hello to Alonso 1208 01:17:33,157 --> 01:17:37,000 raising the right arm and this responds with the same gesture 1209 01:17:37,001 --> 01:17:40,000 Franco leaves while Luchy approaches Alonso 1210 01:17:40,001 --> 01:17:45,000 Let me stay, let me stay Please stay, Alonso, Alonso. 1211 01:17:45,001 --> 01:17:52,000 Two soldiers pull Luchy away the crowd Alonso, jodores I'm all of them! 1212 01:17:52,001 --> 01:17:58,000 Alonso rearranges his jacket Look at Luchy and smile at him 1213 01:17:58,001 --> 01:18:02,000 Luchy cries between the crowd inside 1214 01:18:02,400 --> 01:18:04,000 The anthem 1215 01:18:04,200 --> 01:18:06,000 Genaro approaches Santiago 1216 01:18:07,000 --> 01:18:08,000 Sorry, the anthem 1217 01:18:08,300 --> 01:18:11,000 Maria, the hymn please 1218 01:18:11,475 --> 01:18:19,000 The other Maria Sorry, girls 1219 01:18:19,175 --> 01:18:28,000 The Royal March (Music) 1220 01:18:28,001 --> 01:18:29,093 Genaro looks askance Santiago Flora moves 1221 01:18:29,094 --> 01:18:38,000 the head contemplating to the band (Music) 1222 01:18:38,001 --> 01:18:48,000 Good luck Genaro Good luck tell me look ahead 1223 01:18:48,001 --> 01:18:53,000 The band hangs a tapestry with the shield from Spain Genaro snaps his fingers 1224 01:18:53,001 --> 01:18:54,518 Santiago checks the list The waiters start 1225 01:18:54,519 --> 01:19:03,000 to serve wine to the diners (Music) 1226 01:19:03,001 --> 01:19:04,181 Flora looks towards him lounge with arms 1227 01:19:04,182 --> 01:19:14,000 located behind Maria starts singing (Music) 1228 01:19:14,001 --> 01:19:19,000 (Music) 1229 01:19:19,001 --> 01:19:21,046 Flora hides discreetly behind a column 1230 01:19:21,047 --> 01:19:30,000 Take out a flask and drink a drink (Music) 1231 01:19:30,001 --> 01:19:35,000 Ángel approaches Franco without turning away He looks at Maria and begins to serve her wine. 1232 01:19:35,001 --> 01:19:41,000 Franco covers the glass with his hand and the drink falls on it Genaro looks worried 1233 01:19:41,001 --> 01:19:45,000 Sorry, they had told us that We served wine for toasts. What toast? 1234 01:19:45,001 --> 01:19:46,000 Long live Franco! 1235 01:19:46,001 --> 01:19:47,000 Viva! 1236 01:19:47,001 --> 01:19:51,000 Ángel dries his hand (Music) 1237 01:19:51,001 --> 01:19:52,001 Look, serve him a little more 1238 01:19:52,250 --> 01:19:55,000 You are not going to come with a papaco (Music) 1239 01:19:55,001 --> 01:19:57,000 Long live the Spanish army! 1240 01:19:57,001 --> 01:19:58,000 Viva! 1241 01:19:58,001 --> 01:19:59,000 Viva! 1242 01:19:59,001 --> 01:20:03,000 Franco and Carmen drink Flora squints her eyes 1243 01:20:03,001 --> 01:20:14,000 Scan the room with the look and turn away (Music) 1244 01:20:14,001 --> 01:20:18,000 Ángel continues enthralled looking at María. In the soup? 1245 01:20:18,001 --> 01:20:20,000 (Music) Delicious! 1246 01:20:20,001 --> 01:20:22,000 (Music) 1247 01:20:22,001 --> 01:20:25,000 Franco looks at him strangely and looks at Carmen 1248 01:20:25,175 --> 01:20:27,000 In the kitchen hallway 1249 01:20:27,275 --> 01:20:29,000 Epifaniorine in a tureen 1250 01:20:29,400 --> 01:20:32,001 Getting closer What? 1251 01:20:33,300 --> 01:20:34,300 A churri with broad beans 1252 01:20:34,450 --> 01:20:38,000 Mmm, he's going to give them beans waiters collect the tureens 1253 01:20:38,125 --> 01:20:45,000 Epifanio approaches one of them. This is for the leader In the one with the most faggot 1254 01:20:45,075 --> 01:20:57,000 The cook places the silver tureen on a tray and leaves the kitchen (Music) 1255 01:20:57,150 --> 01:21:05,000 In the living room the waiter serves Franco the soup (Music) 1256 01:21:05,001 --> 01:21:10,000 Franco collects his apaco in the spoon and Santiago blows and Génaro observes him attentively 1257 01:21:10,001 --> 01:21:15,000 from one end of the room a priest and a bishop look at him from their seats 1258 01:21:15,001 --> 01:21:20,000 After tasting the soup, Franco looks at his wife Unisimo 1259 01:21:20,200 --> 01:21:27,000 Delicious, yes Génaro smiles Santiago He looks at him seriously. Does he have something special? 1260 01:21:27,200 --> 01:21:28,243 It's... 1261 01:21:28,743 --> 01:21:35,000 Saffron Franco nods and fills your spoon again (Music) 1262 01:21:35,001 --> 01:21:36,001 What are you doing with cheek? 1263 01:21:36,150 --> 01:21:41,000 Angel enters the kitchen They have sung the soup, the colora Hey! 1264 01:21:41,001 --> 01:21:43,000 Come, come! 1265 01:21:43,001 --> 01:21:44,000 Come, come! 1266 01:21:44,001 --> 01:21:46,000 This would have to be in square I came! 1267 01:21:46,001 --> 01:21:49,000 Juana approaches Ángel. What do you think? He has dispatched because chlorine is porn! 1268 01:21:49,150 --> 01:21:50,000 Okay! 1269 01:21:50,001 --> 01:21:52,000 Come on, the beef, how's it going? 1270 01:21:52,001 --> 01:21:56,001 Together with what is left In the locker room Nephew! 1271 01:21:56,100 --> 01:21:59,000 (Music) 1272 01:21:59,001 --> 01:22:03,000 Flora goes to him closet (Music) 1273 01:22:03,001 --> 01:22:05,000 Blonde Are you here? 1274 01:22:05,001 --> 01:22:08,000 Now (Music) 1275 01:22:08,001 --> 01:22:13,000 Flora tries to open the lock In the living room, Up Spain! 1276 01:22:13,001 --> 01:22:14,000 Always up! 1277 01:22:14,001 --> 01:22:19,000 Everyone toasts (Music) 1278 01:22:19,100 --> 01:22:21,904 Allow me gentlemen Alonso gets up from his table 1279 01:22:21,905 --> 01:22:32,000 and walk towards Santiago Gender retires (Music) 1280 01:22:32,050 --> 01:22:37,000 Very good, Medina. Yes, and so on. I will recommend to stay in Madrid 1281 01:22:37,001 --> 01:22:43,000 In the room of San Cristóbal with me Santiago looks ahead. Did you hear me? 1282 01:22:43,100 --> 01:22:46,816 Even the same with a little luck I may get it 1283 01:22:46,817 --> 01:22:52,000 an apartment on Ferraz street So we could be neighbors 1284 01:22:52,450 --> 01:22:55,000 Surely his wife seems like a fantastic idea 1285 01:22:55,100 --> 01:22:58,000 Alonso retires smiling 1286 01:22:58,175 --> 01:23:00,000 Santiago remains motionless 1287 01:23:00,150 --> 01:23:02,000 looking at him with a content gesture 1288 01:23:02,625 --> 01:23:05,612 Gender addresses Carmen Polo Everything to your liking, 1289 01:23:05,662 --> 01:23:08,000 lady The soup is excellent, but the orchestra 1290 01:23:08,375 --> 01:23:10,000 with so many men it doesn't seem like your thing to me 1291 01:23:10,500 --> 01:23:14,001 They are all music, I have kept everything I'm not saying no And from the women's section 1292 01:23:14,550 --> 01:23:16,000 Carmen looks at him seriously 1293 01:23:17,050 --> 01:23:19,290 Do you think it's okay that Let's get the eggs out now? 1294 01:23:20,025 --> 01:23:26,000 Well, we have been releasing since July 18 Flowering a blow with a hammer Ah! 1295 01:23:26,001 --> 01:23:28,000 Holy, but what have they told me! 1296 01:23:28,001 --> 01:23:30,000 Who was it? 1297 01:23:30,001 --> 01:23:32,000 Who was it? 1298 01:23:32,001 --> 01:23:37,000 In the lounge the waiters remain standing behind the tables holding the plates 1299 01:23:37,001 --> 01:23:48,000 They serve the dishes to the diners Franco and Carmen look at each other and start eating 1300 01:23:48,001 --> 01:23:54,000 Outside, in the lobby, Chapero dances to the beat of the music while smoking a joint 1301 01:23:54,001 --> 01:23:58,351 In the locker room Flora holds the blonde who is 1302 01:23:58,352 --> 01:24:01,000 shakes his head and bloody shirt 1303 01:24:01,100 --> 01:24:12,000 Honey, honey, you have to see a doctor If they don't catch this gap 1304 01:24:12,001 --> 01:24:17,000 You're going to get those El Rubio pick up the hammer in the kitchen Class! 1305 01:24:17,001 --> 01:24:20,000 There are 10 eggs. What a joy! 1306 01:24:20,001 --> 01:24:21,000 We take out the beef! 1307 01:24:21,001 --> 01:24:22,000 Obvious, gentlemen! 1308 01:24:22,001 --> 01:24:23,000 We take out the beef! 1309 01:24:23,001 --> 01:24:24,000 Joan! 1310 01:24:24,001 --> 01:24:26,000 Juana comes out of the pantry 1311 01:24:26,250 --> 01:24:31,000 we are ready 1312 01:24:31,250 --> 01:24:33,000 Everything is ready 1313 01:24:35,400 --> 01:24:39,000 What you asked me before because I changed my mind 1314 01:24:39,400 --> 01:24:45,000 In Franco's Spain there is no place for someone like me Juana kisses him on the cheek 1315 01:24:45,001 --> 01:24:49,001 In the locker room the blonde walks toward the exit wielding the hammer 1316 01:24:49,875 --> 01:24:51,000 Rubio, where are you going? 1317 01:24:51,001 --> 01:24:52,000 Where are you going! 1318 01:24:52,001 --> 01:24:55,000 You can't go out like this in front of everyone! 1319 01:24:55,001 --> 01:24:59,186 The blonde gets away from her Flora falls in the showers 1320 01:24:59,187 --> 01:25:03,000 being unconscious at the same time he leaves 1321 01:25:04,275 --> 01:25:10,000 In the dining room diners continue dining 1322 01:25:10,001 --> 01:25:15,000 Franco makes a sign with his hand to Alonso and he gets up and walks towards him 1323 01:25:17,000 --> 01:25:25,000 Angel pushes away and leans down 1324 01:25:25,001 --> 01:25:28,000 Santiago looks at them seriously from the back of the room 1325 01:25:28,001 --> 01:25:34,000 Genaro arrives and stops at his side Long live Mrs. Carmen! Viva! 1326 01:25:34,001 --> 01:25:40,000 We are almost All you need to do is take out the cake. 1327 01:25:41,000 --> 01:25:43,000 Alonso approaches them 1328 01:25:45,000 --> 01:25:55,000 Alonso looks at them threateningly raising a finger and walking away 1329 01:25:59,000 --> 01:26:05,828 Genaro leaves Santiago remains standing 1330 01:26:05,829 --> 01:26:12,001 looking at each other and going to bring to the front in the kitchen 1331 01:26:16,000 --> 01:26:26,000 The three soldiers of the Guard Amora look at each other and nod 1332 01:26:26,001 --> 01:26:34,000 The soldiers go to the pantry where are the cooks with the cake 1333 01:26:34,001 --> 01:26:40,000 They pass inside mandoblas and epifanio hold him 1334 01:26:40,175 --> 01:26:43,000 and they put a cloth on them with chloroform on the face 1335 01:26:43,001 --> 01:26:50,000 In the living room angel serves wine Franco raises his eyes 1336 01:26:50,001 --> 01:26:54,000 and reads in his hand the note that María "Shieton Ton" pointed out 1337 01:26:54,001 --> 01:26:57,000 the cup is full until the edge and angel turns away 1338 01:26:57,001 --> 01:27:00,000 in the kitchen the cooks they take the cake out of the pantry 1339 01:27:00,150 --> 01:27:04,287 Epifanio struggles with a Guard "I feel 1340 01:27:04,288 --> 01:27:12,000 mutaza, but the war It's the gara" "Tornidico" 1341 01:27:12,001 --> 01:27:15,000 Thank you very much for these warm applause 1342 01:27:15,001 --> 01:27:18,000 The blonde arrives at the living room with hammer in hand 1343 01:27:18,001 --> 01:27:24,000 And now taking advantage what is the dessert coming out 1344 01:27:24,150 --> 01:27:26,000 It is humiliating that it is what to offer to the generalissimo 1345 01:27:26,001 --> 01:27:31,000 one of his favorite songs your excellency, your distinguished wife 1346 01:27:31,001 --> 01:27:35,000 and for all the saviors of the homeland and its companions 1347 01:27:35,001 --> 01:27:39,000 "Don's immortal piece Jacinto Guerrero, little Spanish soldier 1348 01:27:39,001 --> 01:27:41,144 Alonso notices the blonde and breaking between the 1349 01:27:41,145 --> 01:27:47,000 tables and gets up taking out his weapon "Son of a bitch" 1350 01:27:47,001 --> 01:27:51,000 The blonde walks towards angel Santiago takes a few steps forward 1351 01:27:51,001 --> 01:27:58,000 Alonso and several generals they shoot the blonde in the chest 1352 01:27:58,001 --> 01:28:01,000 Genaro and the cooks now dressed in street clothes 1353 01:28:01,001 --> 01:28:04,000 they look alertly towards the kitchen door 1354 01:28:05,000 --> 01:28:10,000 The blonde slowly falls dejected into the center of the room with the hammer in his hand 1355 01:28:10,001 --> 01:28:16,000 Franco observes the dinners in get upset Mary fixes her gaze on angel 1356 01:28:16,001 --> 01:28:19,000 hidden behind a flowerpot with a distorted face 1357 01:28:19,001 --> 01:28:22,000 Santiago and Chapero look overwhelmed from their places 1358 01:28:22,001 --> 01:28:29,000 Alonso remains with the gun in his hand. hand Santiago gets up slowly 1359 01:28:29,001 --> 01:28:32,000 Genaro leaves the kitchen and he looks bewildered 1360 01:28:33,000 --> 01:28:41,000 María looks at him from afar Genaro He turns around and goes back to the kitchen. 1361 01:28:41,250 --> 01:28:48,000 Paco, Carmen makes a gesture with the face What did you pin a little? 1362 01:28:48,150 --> 01:28:55,000 Clearing up the noise gentlemen The bug to the harrow and to the bullpen. And what about dessert? 1363 01:28:55,001 --> 01:28:58,000 At your service my General Medina, the dessert 1364 01:28:59,150 --> 01:29:02,000 Chapero, the dessert 1365 01:29:03,000 --> 01:29:04,000 Yes, I got into tune before 1366 01:29:04,400 --> 01:29:07,000 Chapero walks stumbling towards the kitchen 1367 01:29:08,950 --> 01:29:11,000 Several soldiers charge with the blonde's body 1368 01:29:11,200 --> 01:29:12,000 and they take it away 1369 01:29:12,100 --> 01:29:19,574 Chapero enters the kitchen staggering looks around 1370 01:29:19,575 --> 01:29:24,000 and look at the cake several stories high 1371 01:29:24,150 --> 01:29:27,000 stick your finger in cream and puts it in his mouth 1372 01:29:27,225 --> 01:29:29,000 Epifanio leaves Genaro's office 1373 01:29:29,001 --> 01:29:33,000 closing the coat often from others What do you do? 1374 01:29:33,001 --> 01:29:35,000 And where does the alliobay fall? 1375 01:29:35,001 --> 01:29:38,670 Me in my house that is very late and here it will be that 1376 01:29:38,671 --> 01:29:42,000 so much hurry man last one also leaves at ten 1377 01:29:42,750 --> 01:29:45,000 The cake 1378 01:29:45,700 --> 01:29:47,000 What are you going to do to drop the cake? 1379 01:29:47,001 --> 01:29:48,001 Chapero 1380 01:29:49,000 --> 01:29:50,000 What if you take it out? 1381 01:29:50,001 --> 01:29:51,001 I 1382 01:29:51,375 --> 01:29:53,000 Genaro nods. 1383 01:29:53,100 --> 01:29:59,000 But how are you going to give me the cake? 1384 01:29:59,001 --> 01:30:00,001 You're crazy! 1385 01:30:00,450 --> 01:30:02,000 And you get the applause of the leader 1386 01:30:02,550 --> 01:30:05,000 and of the generals. You? 1387 01:30:05,001 --> 01:30:06,001 Knuckle 1388 01:30:06,450 --> 01:30:08,000 And the generals on your mommy day? 1389 01:30:08,001 --> 01:30:11,000 Juana approaches from behind I certainly deserve it, huh? 1390 01:30:11,001 --> 01:30:15,000 Hits him on the head with a frying pan 1391 01:30:15,175 --> 01:30:17,000 and Chapero falls on the cake 1392 01:30:17,250 --> 01:30:19,000 Come on, let's go! 1393 01:30:19,001 --> 01:30:22,000 Come on, let's go! 1394 01:30:22,001 --> 01:30:23,001 Fast! 1395 01:30:23,200 --> 01:30:24,200 Come on! 1396 01:30:26,000 --> 01:30:28,000 Come on, go here! 1397 01:30:28,001 --> 01:30:33,000 Genaro watches while everyone They go down the laundry chute 1398 01:30:33,001 --> 01:30:36,000 Angel walks hurriedly the living room towards the kitchen 1399 01:30:36,001 --> 01:30:41,000 María watches him from the stage Santiago and Alonso look at him with their mischief. 1400 01:30:41,001 --> 01:30:45,000 Ángel enters the kitchen and finds Chapero collapsed on the cake 1401 01:30:45,001 --> 01:30:50,000 Angel, Angel, Angel Let's go, let's go! 1402 01:30:50,001 --> 01:30:51,000 What has happened? 1403 01:30:51,001 --> 01:30:53,432 It's the same. They have been brought to the Nubian No, I was 1404 01:30:53,433 --> 01:30:56,000 dead already everything, you prefer, eh? 1405 01:30:56,001 --> 01:31:02,000 Santiago remains thoughtful in the living room Girls, they are cool 1406 01:31:02,001 --> 01:31:07,000 Santiago walks towards the kitchen Maria starts singing 1407 01:31:07,001 --> 01:31:15,001 Genaro throws his coat over the Genaro laundry chute? 1408 01:31:15,250 --> 01:31:17,000 Genaro remains paralyzed 1409 01:31:17,001 --> 01:31:21,000 Santiago enters the kitchen and discovers Chapero collapsed on the cake 1410 01:31:21,001 --> 01:31:27,000 He holds him by the collar of his jacket and Genaro lifts it slightly? 1411 01:31:27,001 --> 01:31:31,001 Genaro remains motionless looking at him from the hallway Genaro? 1412 01:31:31,300 --> 01:31:35,001 Genaro escapes while Santiago goes to the pantry No 1413 01:31:35,350 --> 01:31:40,000 Santiago finds the soldiers of the Mora Guard unconscious on the ground 1414 01:31:40,001 --> 01:31:42,544 Genaro descends the laundry ramp 1415 01:31:42,556 --> 01:31:45,000 and starts to change of clothes with Ángel 1416 01:31:45,001 --> 01:31:48,000 Santiago walks bewildered towards the center of the kitchen 1417 01:31:58,000 --> 01:32:06,000 (Music) 1418 01:32:06,001 --> 01:32:08,000 Santiago crumples the list that he carries in his hand 1419 01:32:14,000 --> 01:32:22,000 (Music) 1420 01:32:22,001 --> 01:32:27,000 Santiago runs across the room toward the Alun street just looks with suspicion 1421 01:32:37,000 --> 01:32:45,000 (Music) 1422 01:32:45,001 --> 01:32:50,000 Genaro and the others they arrive at the winery (Music) 1423 01:32:50,001 --> 01:32:51,420 Genaro opens and everyone They run towards the door 1424 01:32:51,421 --> 01:32:59,000 passageway that connects with the church (Music) 1425 01:32:59,001 --> 01:33:06,000 Flora arrives and discovers them escaping (Music) 1426 01:33:06,001 --> 01:33:10,000 In the church everyone walks in step slow and stealthy with epifanio at the head 1427 01:33:12,000 --> 01:33:20,000 (Music) 1428 01:33:20,001 --> 01:33:23,000 In the winery Flora advances staggering to the table 1429 01:33:23,001 --> 01:33:29,000 where there are two glasses of wine boiled and sits (Music) 1430 01:33:29,001 --> 01:33:33,000 Take one of the glasses and drink looking towards the hallway door 1431 01:33:33,001 --> 01:33:35,329 Genaro and the rest They cross stealthily between 1432 01:33:35,341 --> 01:33:44,000 church pews to the other side of the ship (Music) 1433 01:33:44,250 --> 01:33:46,000 Genaro stumbles and everyone stops 1434 01:33:46,001 --> 01:33:57,000 Then they continue running until you reach the other end (Music) 1435 01:33:57,001 --> 01:34:04,000 They hug (Music) 1436 01:34:04,001 --> 01:34:10,000 And now what we do we are going to check and fool I'm going here my mother 1437 01:34:10,150 --> 01:34:13,000 I have a cousin in Poland and Ben Auschwitz 1438 01:34:13,850 --> 01:34:16,000 I think it is a very nice town 1439 01:34:16,100 --> 01:34:18,000 Everyone looks at Blas 1440 01:34:18,375 --> 01:34:23,000 (Music) 1441 01:34:23,001 --> 01:34:28,001 May God distribute luck But What is God Juan? Maybe yes 1442 01:34:28,250 --> 01:34:37,000 There are not three here they hug each other (Music) 1443 01:34:37,001 --> 01:34:43,167 Goodbye Blas Let's go Good luck Come on with me Pasiata Come on Angel 1444 01:34:43,168 --> 01:34:47,000 about Genaro María María meets you in that fool 1445 01:34:48,150 --> 01:34:50,150 Maria will be right away don't worry with you 1446 01:34:50,800 --> 01:34:52,000 She's smart, right? 1447 01:34:52,001 --> 01:34:58,043 Not like me Run with you mother kiss each other on the cheeks 1448 01:34:58,093 --> 01:35:02,000 Corracias Angel leaves leaving ground to Genaro 1449 01:35:02,675 --> 01:35:04,000 It moves slowly towards the threshold 1450 01:35:04,001 --> 01:35:06,670 Look both ways and choose walking down the street 1451 01:35:06,671 --> 01:35:13,000 While putting on a hat Genaro Santiago runs towards him 1452 01:35:13,150 --> 01:35:16,000 I didn't have a bit of joy. What? 1453 01:35:16,001 --> 01:35:18,000 I was suffering for you why? 1454 01:35:18,001 --> 01:35:19,121 For what they could do to you 1455 01:35:19,500 --> 01:35:23,000 But you have decided to desert. That's what smarter The army is not for you 1456 01:35:23,001 --> 01:35:27,000 But I haven't decided nothing Well you'll decide 1457 01:35:27,075 --> 01:35:29,000 We can't stay here like two assholes 1458 01:35:29,850 --> 01:35:31,000 (Music) 1459 01:35:31,001 --> 01:35:32,001 Let's go 1460 01:35:32,375 --> 01:35:34,000 (Music) 1461 01:35:34,001 --> 01:35:39,000 God He Santiago takes out his gun and points it at him 1462 01:35:39,125 --> 01:35:44,000 Genaro looks at him motionless (Music) 1463 01:35:44,250 --> 01:35:46,000 What are you going to do? 1464 01:35:46,001 --> 01:35:48,000 Shoot me? 1465 01:35:48,001 --> 01:35:52,000 Santiago nods. The first once in your life it was going to be me 1466 01:35:52,400 --> 01:35:54,000 Yes 1467 01:35:55,800 --> 01:35:58,000 Tell me if you stay, you are lost 1468 01:35:58,550 --> 01:36:02,000 If you come with me, what do you have to lose? 1469 01:36:02,350 --> 01:36:08,000 At the end of the street appears Alonso Who Genaro stops when he sees them and notices him. 1470 01:36:08,001 --> 01:36:11,618 And bring your hands closer to Santiago's gun 1471 01:36:11,619 --> 01:36:16,000 I gave you now Jump laughing, shitty jokes! 1472 01:36:16,001 --> 01:36:20,000 Genaro shoots him and Alonso falls dead Now! 1473 01:36:20,001 --> 01:36:22,000 Tulle! 1474 01:36:22,001 --> 01:36:24,000 Tell me! 1475 01:36:24,001 --> 01:36:26,000 Tulle! 1476 01:36:26,001 --> 01:36:30,000 Genaro and Santiago run down the street. Alonso's body is already motionless on the ground 1477 01:36:30,001 --> 01:36:32,705 on a puddle of blood A rat is approaching 1478 01:36:32,706 --> 01:36:36,000 and drink from the same image fades to black 1479 01:36:37,700 --> 01:36:41,000 By day, on a quiet street sign with the label "Shia Ton Ton" 1480 01:36:41,001 --> 01:36:45,000 Hangs over the entrance a restaurant 9 months later 1481 01:36:45,001 --> 01:36:49,000 A black vehicle stops at the door of the establishment 1482 01:36:49,001 --> 01:36:53,000 Two men with hat and raincoat they get off and go to the door 1483 01:36:53,001 --> 01:36:57,000 Inside are Santiago, Genaro, María, Angel, Juana 1484 01:36:57,001 --> 01:37:01,000 A baby and a couple people Long live the bride and groom! 1485 01:37:01,001 --> 01:37:03,000 Viva! 1486 01:37:03,001 --> 01:37:05,000 Let's see here 1487 01:37:05,150 --> 01:37:07,000 everyone here 1488 01:37:07,325 --> 01:37:09,000 a little to the right 1489 01:37:09,100 --> 01:37:11,000 a little to the left 1490 01:37:11,400 --> 01:37:13,000 Perfect, right? 1491 01:37:13,750 --> 01:37:15,000 your best smile 1492 01:37:15,200 --> 01:37:21,000 Come on, Santiago Come on Come! 1493 01:37:21,001 --> 01:37:27,000 All dwarf wife a camera Come! 1494 01:37:27,001 --> 01:37:29,000 Come on! 1495 01:37:29,001 --> 01:37:31,000 Hey! 1496 01:37:31,001 --> 01:37:33,000 Health! 1497 01:37:33,001 --> 01:37:35,000 Health! 1498 01:37:35,001 --> 01:37:37,000 Hey! 1499 01:37:37,001 --> 01:37:39,000 How heavy! 1500 01:37:39,001 --> 01:37:43,000 The cake Do you see queros a little more? 1501 01:37:43,001 --> 01:37:45,788 Yes, let's go dishes, for please Yes, yampi, please, 1502 01:37:45,789 --> 01:37:49,000 Tere Di, this is how we go How many are we in the end? 1503 01:37:49,150 --> 01:37:53,000 Let's see, there give me Okay! 1504 01:37:53,001 --> 01:37:55,000 Come on! 1505 01:37:55,001 --> 01:37:57,000 How pretty! 1506 01:37:57,001 --> 01:37:59,800 What was incredible, okay? 1507 01:37:59,801 --> 01:38:05,000 With this With this it is distributed Do we have to listen to it? 1508 01:38:05,250 --> 01:38:07,000 Like a camera? 1509 01:38:07,001 --> 01:38:11,000 Genaro goes towards the entrance from the restaurant and finds 1510 01:38:11,001 --> 01:38:15,000 Santiago in attitude restless, what's going on? 1511 01:38:15,001 --> 01:38:19,000 You have to organize a dinner Dinner when? 1512 01:38:19,001 --> 01:38:23,000 Right Now Now same, for whom? 1513 01:38:23,001 --> 01:38:25,782 Franco enters, a officer with mustache and 1514 01:38:25,783 --> 01:38:31,000 brown uniform and various military This is for 10 1515 01:38:31,001 --> 01:38:35,000 Now for all and for the fijure, who is vegetarian 1516 01:38:37,000 --> 01:38:41,000 Genaro and Santiago they look serious at each other 1517 01:38:43,000 --> 01:38:49,000 The image fades to black They appear the credits Medina Mario Casas 1518 01:38:49,001 --> 01:38:55,000 Genaro Alberto San Juan Alonso Asierez Cheyandía María Nora Hernández 1519 01:38:55,001 --> 01:39:03,000 Angel Oscar Lasarte Chapero Martín Paez Juana Elvira Minguez Epifanio Toni Agustí 1520 01:39:03,001 --> 01:39:11,000 Blas Ferrangadea Nando Eleazar Ortiz Rubio Carlos Serrano Flora Carmen Balague 1521 01:39:11,001 --> 01:39:19,000 Luchi Eva Ugarte Franco Sabi Frances Pablo Gloria March Antonio Resines 1522 01:39:19,250 --> 01:39:23,000 Gustafa Abdel Senouci Assistant Alonso Rafa Bals 1523 01:39:23,300 --> 01:39:27,000 Doctor Beltran Sergio Caballero Sergento Mando Carcel 1524 01:39:27,250 --> 01:39:29,000 vicente domingo 1525 01:39:29,175 --> 01:39:35,000 Laura Cielo Laura Bota Sofia Pianista Sofia López Chica Violín Laura Serrano 1526 01:39:35,001 --> 01:39:38,758 Double Bass Girl Eva Serrano Guitar Girl Ana Zomeno 1527 01:39:38,759 --> 01:39:43,000 Accordion Girl Isabel Latorre Official Troops Sales 1528 01:39:43,250 --> 01:39:49,000 Enrique Galán Hitler David Díaz Inmate Ulises Andrés Delgado 1529 01:39:49,001 --> 01:39:53,000 Black background with white letters The credits continue to appear 1530 01:39:54,000 --> 01:39:56,000 They continue to appear the credit titles 1531 01:39:56,150 --> 01:39:58,000 [music] 1532 01:39:58,250 --> 01:40:00,000 [music] 1533 01:40:01,300 --> 01:40:02,000 [music] 1534 01:40:02,250 --> 01:40:04,000 [music] 1535 01:40:04,001 --> 01:40:06,000 [music] 1536 01:40:06,250 --> 01:40:08,000 [music] 1537 01:40:08,001 --> 01:40:10,000 [music] 1538 01:40:10,850 --> 01:40:12,000 [music] 1539 01:40:12,001 --> 01:40:14,000 [music] 1540 01:40:14,150 --> 01:40:16,000 [music] 1541 01:40:16,001 --> 01:40:18,000 [music] 1542 01:40:18,001 --> 01:40:20,000 [music] 1543 01:40:20,001 --> 01:40:22,000 [music] 1544 01:40:22,001 --> 01:40:24,000 [music] 1545 01:40:24,001 --> 01:40:26,000 [music] 1546 01:40:26,001 --> 01:40:28,000 [music] 1547 01:40:28,001 --> 01:40:30,000 [music] 1548 01:40:30,001 --> 01:40:32,000 [music] 1549 01:40:32,001 --> 01:40:34,000 [music] 1550 01:40:34,001 --> 01:40:36,000 [music] 1551 01:40:36,225 --> 01:40:38,000 [music] 1552 01:40:38,001 --> 01:40:40,000 [music] 1553 01:40:40,001 --> 01:40:42,000 [music] 1554 01:40:42,275 --> 01:40:44,000 [music] 1555 01:40:44,001 --> 01:40:46,000 [music] 1556 01:40:46,001 --> 01:40:48,000 [music] 1557 01:40:48,001 --> 01:40:50,000 [music] 1558 01:40:50,001 --> 01:40:52,000 [music] 1559 01:40:52,001 --> 01:40:54,000 [music] 1560 01:40:54,001 --> 01:40:56,000 [music] 1561 01:40:56,001 --> 01:40:58,000 [music] 1562 01:40:58,001 --> 01:41:00,000 [music] 1563 01:41:00,001 --> 01:41:02,000 [music] 1564 01:41:02,001 --> 01:41:04,000 [music] 1565 01:41:04,001 --> 01:41:06,000 [music] 1566 01:41:06,001 --> 01:41:08,000 [music] 1567 01:41:08,200 --> 01:41:10,000 [music] 1568 01:41:10,001 --> 01:41:12,000 [music] 1569 01:41:12,001 --> 01:41:14,000 [music] 1570 01:41:14,200 --> 01:41:16,000 [music] 1571 01:41:17,350 --> 01:41:18,000 [music] 1572 01:41:18,001 --> 01:41:20,000 [music] 1573 01:41:20,001 --> 01:41:22,000 [music] 1574 01:41:22,001 --> 01:41:24,000 [music] 1575 01:41:24,001 --> 01:41:26,000 [music] 1576 01:41:26,600 --> 01:41:28,000 [music] 1577 01:41:28,001 --> 01:41:30,000 [music] 1578 01:41:30,001 --> 01:41:32,000 [music] 1579 01:41:32,400 --> 01:41:34,000 [music] 1580 01:41:34,001 --> 01:41:36,000 [music] 1581 01:41:36,450 --> 01:41:38,000 [music] 1582 01:41:38,001 --> 01:41:40,000 [music] 1583 01:41:40,250 --> 01:41:42,000 [music] 1584 01:41:42,150 --> 01:41:44,000 [music] 1585 01:41:44,001 --> 01:41:46,000 [music] 1586 01:41:46,150 --> 01:41:48,000 [music] 1587 01:41:48,350 --> 01:41:50,000 [music] 1588 01:41:50,200 --> 01:41:52,000 [music] 1589 01:41:52,001 --> 01:41:54,000 [music] 1590 01:41:54,001 --> 01:41:56,000 [music] 1591 01:41:56,001 --> 01:41:58,000 [music] 1592 01:41:58,001 --> 01:42:00,000 [music] 1593 01:42:00,001 --> 01:42:02,000 [music] 1594 01:42:02,001 --> 01:42:04,000 [music]